LEADER 00000nam  22004213i 4500 
001    EBC5995834 
003    MiAaPQ 
005    20200305153822.0 
006    m     o  d |       
007    cr cnu|||||||| 
008    200305s2020    xx      o     ||||0 eng d 
020    9783030345402|q(electronic bk.) 
035    (MiAaPQ)EBC5995834 
035    (Au-PeEL)EBL5995834 
035    (OCoLC)1132425602 
040    MiAaPQ|beng|erda|epn|cMiAaPQ|dMiAaPQ|dUkHlHU 
050  4 PN1-PN6790 
245 00 Gothic Animals :|bUncanny Otherness and the Animal With-
       Out /|cedited by Ruth Heholt, Melissa Edmundson. 
264  1 Cham :|bPalgrave Macmillan US,|c2020. 
264  4 |c©2020. 
300    1 online resource (317 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Palgrave Studies in Animals and Literature 
505 0  Intro -- Acknowledgements -- Contents -- Notes on 
       Contributors -- List of Figures -- Chapter 1 Introduction 
       -- References -- Part I Hell-Beasts and Haunting -- 
       Chapter 2 'Like a Madd Dogge': Demonic Animals and Animal 
       Demoniacs in Early Modern English Possession Narratives --
       The Animal as Other -- Embodying the Animal -- Animal 
       Imagery in the Possession of William Sommers -- Conclusion
       -- References -- Chapter 3 'Most Hideous of Gaolers': The 
       Spider in Ernest G. Henham's Tenebrae -- References -- 
       Chapter 4 Devouring the Animal Within: Uncanny Otherness 
       in Richard Adams's The Plague Dogs -- Undermining 'Animal'
       Constructions of Fear, Otherness, and Evil -- The Animal 
       Subject as Uncanny Other -- The Animal 'Haunting Back' -- 
       References -- Chapter 5 Hunted, Now Haunting: The 
       Thylacine as a Gothic Symbol in Julia Leigh's The Hunter -
       - The History of the Thylacine, the Myth of the Tiger -- 
       The Hunter: 'There Is (Re)New(ed) History to Be Made' -- 
       Conclusion -- References -- Chapter 6 'What Do I Use to 
       Make Them Afraid?': The Gothic Animal and the Problem of 
       Legitimacy in American Superhero Comics -- The Raven and 
       the Bat -- Building the Gothic Animal -- Comics in Context
       -- The Return of the Gothic Animal -- Conclusion -- 
       References -- Chapter 7 Imagining the Becoming-Unextinct 
       of Megalodon: Spectral Animals, Digital Resurrection, and 
       the Vanishing of the Human -- Gothic Media -- Becoming 
       (Un)Extinct -- References -- Part II Unruly Creatures and 
       the Dangers of Domestication -- Chapter 8 'Rats Is Bogies 
       I Tell You, and Bogies Is Rats': Rats, Repression, and the
       Gothic Mode -- Rats Exposing Neglect and Destitution -- 
       Rats as the Enemy and Invader -- Conclusion -- References 
       -- Chapter 9 At Home with Miniature Sea-Monsters: Philip 
       Henry Gosse, Charles Kingsley, and 'The Great Unknown' -- 
       Writing Science, Writing Wonder, Writing Fear. 
505 8  Managing Rock Pools in the Home: Fact and Fiction -- 
       Predators, Prey, and Pets -- Miniature Monsters on Display
       -- References -- Chapter 10 Uncanny Snails: Patricia 
       Highsmith and the Allure of the Gastropods -- References -
       - Chapter 11 'I Have Flyophobia': Jane Rice's 'The Idol of
       the Flies' and Evil as Unwanted Houseguest -- The Place of
       Animal Cruelty in Domestic Gothic -- 'Summer Dreams' and 
       Psychopathy: A New Kind of Hysteria -- The Three Monkeys 
       and Domestic Gothic's Satire -- Conclusion -- References -
       - Chapter 12 'Encircled by Minute, Evilly-Intentioned 
       Airplanes': The Uncanny Biopolitics of Robotic Bees -- In 
       the Beginning, There Was Mary Shelley's Insect -- Haunted 
       by the Extinct Honeybee -- The Uncanny Biopolitics of 
       Swarm Networks -- References -- Part III Cultural Anxiety,
       Violence, and the Non-Human Body -- Chapter 13 A Bark and 
       Stormy Night: Ann Radcliffe's Animals -- Sensibility and 
       the Animal -- A Sicilian Romance (1790), The Romance of 
       the Forest (1791), and The Italian (1797) -- The Mysteries
       of Udolpho (1794) -- Conclusion -- References -- Chapter 
       14 Hellish Horses and Monstrous Men: Gothic Horsemanship 
       in Washington Irving and Edgar Allan Poe -- 'The Legend of
       Sleepy Hollow' -- 'Metzengerstein' -- References -- 
       Chapter 15 The Colonial Idol, the Animalistic, and the New
       Woman in the Imperial Gothic of Richard Marsh -- Encounter
       and Complicity: The Animal and the New Woman -- Pollie 
       Blyth and the Animal in the Joss: Overlaps of Intimacy and
       Fear -- Marjorie Lindon and the Animal in the Beetle: 
       Rebelling Against Normativity -- References -- Chapter 16 
       Victor Hugo's Pieuvre and the Marine EcoGothic -- 
       References -- Chapter 17 The Human Within and the Animal 
       Without?: Rats and Mr Bunnsy in Terry Pratchett's The 
       Amazing Maurice and His Educated Rodents -- References -- 
       Chapter 18 Companion Animals in Contemporary Scottish 
       Women's Gothic. 
505 8  Vulnerable Lives -- Necessary Stories -- Gothic Escapes --
       References -- Index. 
506 1  Unlimited number of concurrent users.|5UkHlHU 
650  0 Gothic fiction (Literary genre), English|xHistory and 
       criticism. 
650  0 English fiction|y19th century|xHistory and criticism. 
650  0 English fiction|y20th century|xHistory and criticism. 
650  0 Animals in literature. 
700 1  Heholt, Ruth. 
700 1  Edmundson, Melissa. 
830  0 Palgrave Studies in Animals and Literature. 
856 40 |uhttps://ebookcentral.proquest.com/lib/hull/
       detail.action?docID=5995834|zClick to view 
921    UL 
936    EBL