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Author Davidson, Ian, Dr.
Title Placing poetry.
Publication Info Amsterdam : Editions Rodopi, 2013.


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Descript 1 online resource (323 p.)
Note Description based upon print version of record.
Contents Cover -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- Just Looking -- Placing the Poem in Translation -- Taking Place: Deixis, Collaboration and the Gender Politics of the Aesthetic -- Lisa Samuels: Unknown Cities -- Open Field: Reading Field as Place and Poetics -- In/human Place: The Poetry of John Barnie -- The Movements of Yellow-Rumped Thornbills: Twittering Machines -- Lyric Encounters with Other Places: Juliana Spahr's this connection of everyone with lungs and Robert Minhinnick's 'An Isotope Dreaming'
Affording Entrance -- Poets as Experimental Geographers: Mark Nowak, Kaia Sand and the Re-composition of Political-Historical Space -- Ethnopoetics and the Performativity of Place: Jerome Rothenberg and 'That Dada Strain' -- Zeta Landscape: Poetry, Place, Pastoral -- Index -- List of Illustrations -- Fig. 1 'Thaloc, No. 21' (1969) by Álvaro de Sá -- Fig. 2 '12 X 9' by Álvaro de Sá -- Fig. 3 The Brougham Triptych (Carlisle Cathedral) -- Fig. 4 14th-century replica of the 'Hodegetria' icon -- Fig. 5 'Carnival' (1947) Kurt Schwitters -- Fig. 6 Paper sign, 'escritorio público'
Fig. 7 Hofer types letters in Union Square -- Fig. 8 Hofer working in Los Angeles -- Fig. 9 Buuck and the BARGE performer frame a 'counter postcard' -- Fig. 10 'Pre-enactment': environmental clean-up -- Fig. 11 Plant life in toxic dirt -- Fig. 12 Bench on Cornmarket Street in Oxford, England -- Fig. 13 Mark Nowak reading at the 2010 Split This Rock Poetry Festival -- Fig. 14 Performance at Davis & Elkins College -- Fig. 15 Kaia Sand rings the chimes on the Remember to Wave poetry walk -- Fig. 16 Remember to Wave poetry walk map
Fig. 17 Sand reads in front of toxic slough during the poetry walk, 10 January 2009 -- Fig. 18 First sandpainting of the Navajo bead chant by Miguelito -- Fig. 19 Dada portrait of Berenice Abbott by Baroness Elsa von Freytag-Loringhoven (c. 1922-26) -- Fig. 20 lndestructible Object. Paris, 1964 (replica of destroyed original of 1923 titled Object to be Destroyed)
Note Unlimited number of concurrent users. UkHlHU
ISBN 9789401208857
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Author Davidson, Ian, Dr.
Subject Poetry -- History and criticism.
Alt author Skoulding, Zoë.
Descript 1 online resource (323 p.)
Note Description based upon print version of record.
Contents Cover -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- Just Looking -- Placing the Poem in Translation -- Taking Place: Deixis, Collaboration and the Gender Politics of the Aesthetic -- Lisa Samuels: Unknown Cities -- Open Field: Reading Field as Place and Poetics -- In/human Place: The Poetry of John Barnie -- The Movements of Yellow-Rumped Thornbills: Twittering Machines -- Lyric Encounters with Other Places: Juliana Spahr's this connection of everyone with lungs and Robert Minhinnick's 'An Isotope Dreaming'
Affording Entrance -- Poets as Experimental Geographers: Mark Nowak, Kaia Sand and the Re-composition of Political-Historical Space -- Ethnopoetics and the Performativity of Place: Jerome Rothenberg and 'That Dada Strain' -- Zeta Landscape: Poetry, Place, Pastoral -- Index -- List of Illustrations -- Fig. 1 'Thaloc, No. 21' (1969) by Álvaro de Sá -- Fig. 2 '12 X 9' by Álvaro de Sá -- Fig. 3 The Brougham Triptych (Carlisle Cathedral) -- Fig. 4 14th-century replica of the 'Hodegetria' icon -- Fig. 5 'Carnival' (1947) Kurt Schwitters -- Fig. 6 Paper sign, 'escritorio público'
Fig. 7 Hofer types letters in Union Square -- Fig. 8 Hofer working in Los Angeles -- Fig. 9 Buuck and the BARGE performer frame a 'counter postcard' -- Fig. 10 'Pre-enactment': environmental clean-up -- Fig. 11 Plant life in toxic dirt -- Fig. 12 Bench on Cornmarket Street in Oxford, England -- Fig. 13 Mark Nowak reading at the 2010 Split This Rock Poetry Festival -- Fig. 14 Performance at Davis & Elkins College -- Fig. 15 Kaia Sand rings the chimes on the Remember to Wave poetry walk -- Fig. 16 Remember to Wave poetry walk map
Fig. 17 Sand reads in front of toxic slough during the poetry walk, 10 January 2009 -- Fig. 18 First sandpainting of the Navajo bead chant by Miguelito -- Fig. 19 Dada portrait of Berenice Abbott by Baroness Elsa von Freytag-Loringhoven (c. 1922-26) -- Fig. 20 lndestructible Object. Paris, 1964 (replica of destroyed original of 1923 titled Object to be Destroyed)
Note Unlimited number of concurrent users. UkHlHU
ISBN 9789401208857
Author Davidson, Ian, Dr.
Subject Poetry -- History and criticism.
Alt author Skoulding, Zoë.

Subject Poetry -- History and criticism.
Descript 1 online resource (323 p.)
Note Description based upon print version of record.
Contents Cover -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- Just Looking -- Placing the Poem in Translation -- Taking Place: Deixis, Collaboration and the Gender Politics of the Aesthetic -- Lisa Samuels: Unknown Cities -- Open Field: Reading Field as Place and Poetics -- In/human Place: The Poetry of John Barnie -- The Movements of Yellow-Rumped Thornbills: Twittering Machines -- Lyric Encounters with Other Places: Juliana Spahr's this connection of everyone with lungs and Robert Minhinnick's 'An Isotope Dreaming'
Affording Entrance -- Poets as Experimental Geographers: Mark Nowak, Kaia Sand and the Re-composition of Political-Historical Space -- Ethnopoetics and the Performativity of Place: Jerome Rothenberg and 'That Dada Strain' -- Zeta Landscape: Poetry, Place, Pastoral -- Index -- List of Illustrations -- Fig. 1 'Thaloc, No. 21' (1969) by Álvaro de Sá -- Fig. 2 '12 X 9' by Álvaro de Sá -- Fig. 3 The Brougham Triptych (Carlisle Cathedral) -- Fig. 4 14th-century replica of the 'Hodegetria' icon -- Fig. 5 'Carnival' (1947) Kurt Schwitters -- Fig. 6 Paper sign, 'escritorio público'
Fig. 7 Hofer types letters in Union Square -- Fig. 8 Hofer working in Los Angeles -- Fig. 9 Buuck and the BARGE performer frame a 'counter postcard' -- Fig. 10 'Pre-enactment': environmental clean-up -- Fig. 11 Plant life in toxic dirt -- Fig. 12 Bench on Cornmarket Street in Oxford, England -- Fig. 13 Mark Nowak reading at the 2010 Split This Rock Poetry Festival -- Fig. 14 Performance at Davis & Elkins College -- Fig. 15 Kaia Sand rings the chimes on the Remember to Wave poetry walk -- Fig. 16 Remember to Wave poetry walk map
Fig. 17 Sand reads in front of toxic slough during the poetry walk, 10 January 2009 -- Fig. 18 First sandpainting of the Navajo bead chant by Miguelito -- Fig. 19 Dada portrait of Berenice Abbott by Baroness Elsa von Freytag-Loringhoven (c. 1922-26) -- Fig. 20 lndestructible Object. Paris, 1964 (replica of destroyed original of 1923 titled Object to be Destroyed)
Note Unlimited number of concurrent users. UkHlHU
Alt author Skoulding, Zoë.
ISBN 9789401208857
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