| Subject |
Deleuze, Gilles, 1925-1995.
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Art -- Study and teaching -- Philosophy.
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| Descript |
1 online resource. |
| Content |
text txt |
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computer c |
| Carrier |
online resource cr |
| Contents |
Intro; Preface; Paulo de Assis; Part 1; Sound; The Obscure Precursor, French Modernism, and the Musics of the World; Edward Campbell; The Executing Machine; Deleuze, Boulez, and the Politics of Desire; Martin Scherzinger; Deleuzeâ#x80;#x99;s Fold in the Performing Practice of Aaron Cassidyâ#x80;#x99;s The Pleats of Matter; Diego Castro-Magas; Variables, Diagrams, Process; Pascale Criton; Performing Music, Performing the Figure; Deleuze and Painting; Lois Fitch; Machining the Voice through the Continuous Variation; Paolo Galli; Templates for Technique in Mantel and Lachenmann |
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Between Transcendence and ImmanenceKeir GoGwilt; Towards a Figural Paradigm in Music; Capture of Forces and Logic of Sensation in Géométries de lâ#x80;#x99;abîme (LeBlanc), In Vivo (Cendo), and The Restoration of Objects (McCormack); Jimmie LeBlanc; Lâ#x80;#x99;image-temps; Conceptual Foundations of My Compositional Approach; Nicolas Marty; Circumstantial Scores, Graphic Scores, Extended Scores; The Work as â#x80;#x9C;Ecopraxicâ#x80;#x9D; Rediagrammatisation; Frédéric Mathevet; Perform Now!; The Ethics of Musical Improvisation; Vincent Meelberg; Thinking Sound through the Notion of the Time-Image |
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Deleuzeâ#x80;#x99;s Cinema Studies as a Model for Problematising Sound in Artistic PracticeGabriel Paiuk; Re-Notations; Flattening Hierarchies and Transforming Functions; Einar Torfi Einarsson; Alone/Together; Simulacral â#x80;#x9C;A-presentationâ#x80;#x9D; in and into Practice-as-Research in Jazz; Steve Tromans; Mike Fletcher; A Journey of Refrains, Vibes, and Ambiences; Félix Guattari in Terms of the Techno Party Scene; Toshiya Ueno, aka Toshiya the Tribal; Part 2; Writing and Staging; Corpus Delicti #2 // Untimely Precursors; Lecture Performance*; Arno Böhler; Susanne Valerie |
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Deleuzeâ#x80;#x99;s Expressionism as an Ontology for TheatreZornitsa Dimitrova; Space and Sensation; Zoé Deganiâ#x80;#x99;s Art of Pluralising Signs Onstage; Lindsay Gianoukas; Journey into the Unknown; Romeo Castellucciâ#x80;#x99;s Theatre of Signs; Oleg Lebedev; From Schizoproduction to Non-standard Artistic Research; Tero Nauha; Deleuze and Perversion; Catarina Pombo Nabais; Deleuze, Simondon, and Beckett; From Being to Becoming; AudronÄ#x97; ŽukauskaitÄ#x97;; Part 1; Image; On Contemporary Art and Philosophy; Towards a Diagrammatic Critique of Aesthetics*; Ã#x89;ric Alliez |
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Deleuze and Guattariâ#x80;#x99;s Digital Art MachinesAnne Sauvagnargues; Heterogeneity of Word and Image; What is the Possible Dark Precursor?; JÅ«ratÄ#x97; Baranova; Godard and/with Deleuze:; â#x80;#x9C;Câ#x80;#x99;est comme Ãa que le monde naîtâ#x80;#x9D;; Zsuzsa Baross; No Voice is Lost; or, The Dead as a Witness; Anna Barseghian; Stefan Kristensen; )( Z )(; Lucia Dâ#x80;#x99;Errico; Digital Folds, or Cinemaâ#x80;#x99;s Automated Brain; Elena Del RÃo; Beyond Artist and Artisan; Performing Unformed Sound in the Art Machine; Lilija DuoblienÄ#x97;; Hollywood Flatlands; Taking a Line for a Walk*; Verina Gfader; Bacon and the Cartoonist |
| Note |
Unlimited number of concurrent users. UkHlHU |
| Alt author |
Deleuze, Gilles, 1925-1995.
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Assis, Paulo de.
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Giudici, Paolo.
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Orpheus Instituut.
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| ISBN |
9789461662330 (electronic bk.) |
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9461662335 (electronic bk.) |
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9462701180 |
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9789462701182 |
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