LEADER 00000cam  2200865Ka 4500 
001    ocn849928780 
003    OCoLC 
005    20180816040419.2 
006    m     o  d         
007    cr cnu---unuuu 
008    130624s2013    inua    ob    001 0 eng d 
020    9780253009425 (e-book) 
020    0253009421 (e-book) 
020    1299608183 (e-book) 
020    9781299608184 (e-book) 
035    (OCoLC)849928780|z(OCoLC)844434365|z(OCoLC)962128192 
040    N$T|beng|epn|cN$T|dIDEBK|dYDXCP|dE7B|dEBLCP|dP@U|dOCLCF
049    MAIN 
050  4 PN1993.5.N55|bG58 2013eb 
082 04 791.4309669|223 
245 00 Global Nollywood :|bthe transnational dimensions of an 
       African video film industry /|cedited by Matthias Krings 
       and Onookome Okome. 
260    Bloomington, Indiana :|bIndiana University Press,|c[2013] 
300    1 online resource (viii, 371 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  African expressive cultures 
505 00 |tNollywood and its diaspora: an introduction /|rMatthias 
       Krings and Onookome Okome --|gPart 1.|tMapping the 
       terrain.|tFrom Nollywood to Nollyworld: processes of 
       transnationalization in the Nigerian video film industry /
       |rAlessandro Jedlowski ;|tNollywood's transportability: 
       the politics and economics of video films as cultural 
       products /|rJyoti Mistry and Jordache A. Ellapen --|gPart 
       2.|tTransnational Nollywood.|tThe Nollywood diaspora: a 
       Nigerian video genre /|rJonathan Haynes ;|tNollywood made 
       in Europe /|rSophie Samyn ;|tMade in America: urban 
       immigrant spaces in transnational Nollywood films /
       |rClaudia Hoffmann ;|tReversing the filmic gaze: comedy 
       and the critique of the postcolony in Osuofia in London /
       |rOnookome Okome ;|tNollywood and postcolonial 
       predicaments: transnationalism, gender, and the 
       commoditization of desire in Glamour girls /|rPaul Ugor --
       |gPart 3.|tNollywood and its audiences.|tNollywood in 
       urban Southern Africa: Nigerian video films and their 
       audiences in Cape Town and Windhoek /|rHeike Becker ;
       |tReligion, migration, and media aesthetics: notes on the 
       circulation and reception of Nigerian films in Kinshasa /
       |rKatrien Pype ;|t"African movies" in Barbados: proximate 
       experiences of fear and desire /|rJane Bryce ;|tConsuming 
       Nollywood in Turin, Italy /|rGiovanna Santanera ;
       |tNigerian videos and their imagined western audiences: 
       the limits of Nollywood's transnationality /|rBabson 
       Ajibade --|gPart 4.|tAppropriations of Nollywood.
       |tTransgressing boundaries: reinterpretation of Nollywood 
       films in Muslim Northern Nigeria /|rAbdalla Uba Adamu ;
       |tKarishika with Kiswahili flavor: a Nollywood film retold
       by a Tanzanian video narrator /|rMatthias Krings ;|tBloody
       bricolages: traces of Nollywood in Tanzanian video films /
       |rClaudia Böhme. 
506 1  Unlimited number of concurrent users.|5UkHlHU 
650  0 Motion picture industry|zNigeria. 
650  0 Video recordings industry|zNigeria. 
700 1  Krings, Matthias. 
700 1  Okome, Onookome. 
830  0 African expressive cultures. 
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctt16gzcgf|zGo to
921    . 
936    JSTOR-D-2016/17