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MT 40 J7 : Music theory / George Thaddeus Jones.; BJL  c1974 1
MT 40 K2 : Challenge to musical tradition : a new concept of tonality.; BJL  1947 1
MT 40 K5 : The art of strict musical composition.; BJL  1982 1
MT 40 K8   2
MT 40 L6 : Compositional theory in the eighteenth century.; BJL  1992 1
MT 40 R1 : Nouveau systeme de musique theorique.; BJL  1965 1
MT 40 R3 / q : Traite de haute composition musicale.; BJL    1
MT 40 S2 : The composer in the classroom.; BJL  1965 1
MT 40 S3   2
MT 40 S3 R9 : Composition with twelve notes related only to one another / translated by Humphrey Searle.; BJL  1954 1
MT 40 S3 S7 / q : A short introduction to the technique of twelve-tone composition.; BJL  1960 1
MT 40 S4 : Scratch Music / edited by C.Cardew.; BJL  1972 1
MT 40 S6 : Fundamentals of musical composition / Arnold Schoenberg ; edited by Gerald Strang and Leonard Stein.; BJL  1967 1
MT 40 S7 : Musical composition.; BJL    1
MT 40 S9 : Introduction to post-tonal theory.; BJL  1990 1
MT 40 X5 : Musique formelles : nouveaux principes formels de composition musicale.; BJL  1963 1
MT 40 Y7 : Musical composition for pleasure.; BJL  1961 1
MT 41 D9 : Composing with tape recorders : musique concrete for beginners.; BJL  1971 1
MT 42 E6 : Shaping time : music, the brain and performance.; BJL  1995 1
MT 42 R8 : Phrase rhythm in tonal music.; BJL  1989 1
MT 42 S1 : Rhythm and tempo : a study in music history.; BJL  1953 1
MT 45 C4 : Formation et transformations du langage musical.; BJL  1955 1
MT 45 H2 : Harmonic materials of modern music : resources of the tempered scale.; BJL  1960 1
MT 47 M1 : Melody and harmony.; BJL    1
MT 47 R3 : Traite de melodie : abstraction faite de ses rapports avec l'harmonie, suivi d'un supplement sur l'art d'accompagner la melodie par l'harmonie, lorsque la premiere est predominante, le tout appuye sur les meilleurs modeles melodiques.; BJL  1832 1
MT 47 R4 : The thematic process in music.; BJL  1961 1
MT 49 A7 : The art of accompaniment from a thorough-bass as practised in the XVIIth and XVIIIth centuries.; BJL  1931 1
MT 49 B9 : Thorough-bass accompaniment according to Johann David Heinichen.; BJL  1992 1
MT 49 C5 : 18th century continuo playing : a historical guide to the basics / translated by J. Bradford Robinson.; BJL  2002 1
MT 49 K2 / q : Figured bass for beginners : a self-paced primer in playing from a figured bass / by Helen Keaney ; [with a foreword by Daniel Pinkham].; BJL  c1981 1
MT 49 P2 : Thorough-bass made easy.; BJL  1974 1
MT 49 S6 / q : Division-violist. Latin & English; BJL  1955 1
MT 50 A1 W1 : Die Harmonielehren der ersten Halfte des 19. Jahrhunderts.; BJL  1974 1
MT 50 A3 : Harmony and voice leading / by E. Aldwell and C. Schachter.; BJL  1978 1
MT 50 B2 : Practice in modern harmony.; BJL    1
MT 50 B7 : Harmonizing Bach chorales.; BJL  1967 1
MT 50 B9 : Unfigured harmony.; BJL    1
MT50 .D123 1988 : All about chords : a comprehensive approach to understanding contemporary chordal structures and progressions through solid drills in suggested study questions, keyboard drills, and ear-training exercises.; BJL  1988 1
MT 50 F6 : Modern harmony in its theory and practice.; BJL  1936 1
MT 50 F7   2
MT 50 G2 : Harmonic practice in tonal music / Robert Gauldin.; BJL  1997 1
MT 50 H6 : A concentrated course in traditional harmony.; BJL    1
MT 50 K4 : The texture of music from Purcell to Brahms.; BJL  1961 1
MT 50 L1 : The complete musician : an integrated approach to tonal theory, analysis, and listening / Steven G. Laitz.; BJL  c2003 1
MT 50 L2 : Melodies and basses to be harmonized in four parts at the keyboard, suitable for F.R.C.O. and other examination candidates.; BJL  1952 1
MT 50 L5   2
MT 50 M6 : Harmony for class teaching.; BJL  1960 1
MT 50 M8 : Figured harmony at the key-board.; BJL    1
MT 50 O9   2
MT 50 P6 : Harmony / revised by Mark Devoto.; BJL  1978 1
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