LEADER 00000cam 2200889 i 4500
001 on1340411279
003 OCoLC
005 20240419060941.0
006 m o d
007 cr cnu---unuuu
008 220606s2022 msu ob 000 0 eng
020 1496842219|qelectronic book
020 9781496842183|qelectronic book
020 1496842189|qelectronic book
020 9781496842190|qelectronic book
020 1496842197|qelectronic book
020 9781496842206|qelectronic book
020 1496842200|qelectronic book
020 9781496842213|q(electronic bk.)
020 |z9781496842169|qhardcover
020 |z9781496842176|qpaperback
024 7 10.14325/mississippi/9781496842169.001.0001|2doi
035 (OCoLC)1340411279|z(OCoLC)1374484166
040 DLC|beng|erda|cDLC|dOCLCF|dYDX|dP@U|dEBLCP|dYDX|dJSTOR
|dN$T|dOCLCQ|dUBY|dSTBDS|dOCLCO|dSFB|dVRC
049 MAIN
050 04 PN1992.8.T45|bA34 2022
082 00 741.5/942|223/eng/20220805
245 00 After midnight :|bWatchmen after Watchmen /|cedited by
Drew Morton ; foreword by Henry Jenkins ; afterword by
Suzanne Scott.
264 1 Jackson :|bUniversity Press of Mississippi,|c[2022]
300 1 online resource (xvi, 247 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 data file|2rda
490 1 Mississippi scholarship online
505 00 |gForeword.|tOn metahumans and metatexts /|rHenry Jenkins
--|gPart one: adaptation, remediation, and transmedia.
|t"Nothing ever ends": how Watchmen paratexts became part
of DC Comics's "deep dive" strategy /|rJayson Quearry ;
|tFlickers of black and white: cinema and genre in
Watchmen and Doomsday Clock /|rDru Jeffries ;|tTrust in
the journey: HBO's Watchmen and superhero mythology /
|rMark C. E. Peterson and Chris Yogerst ;|t"An expensive
bit of fan fiction": negotiating canon and multiplicty in
Watchmen /|rLaura E. Felschow ;|t"Fucking Oklahoma":
peteypedia as paratextual transaction and its impact on
the aesthetic experience of Watchmen's transmedia
storytelling /|rZachary J. A. Rondinelli ;|tWhat's inside
the closet: costume as critique in Watchmen and its
adaptations /|rAlisia Grace Chase --|gPart two: race and
American history.|tSister Night and her squad: HBO's
Watchemen and the healing power of speculative fiction /
|rChamara Moore ;|t"It is difficult to be a white man in
America": white male supremacy and the alt-right in HBO's
Watchmen /|rBrian Faucette ;|t"Who watches the watchmen":
situating HBO's Watchmen as (post)quality television /
|rRusty Hatchell ;|tReinscribing racial power within HBO's
Watchmen (2019) /|rDavid Stanley and Sarah Pawlak Stanley
;|t"Plenty of room to swing a rope": Watchmen and the
racial politics of place /|rCurtis Marez ;|t"Nostalgia is
a hard pill to swallow": intergenerational and historical
racial trauma /|rApryl Alexander ;|t"This extraordinary
being": alternative archives of black life in HBO's
Watchmen /|rBrandy Monk-Payton --|gPart three: nostalgia
and trauma.|tThe epideictic use of restoritive nostalgia
in Doomsday Clock /|rJeffrey S. J. Kirchoff ;|tThe
adaptation of narrative and musical source material in
Watchmen (2019) /|rJames Denis McGlynn ;|tDiverse family
structures in Watchmen: who's in this family tree anyway?
/|rTracy E. Moran Vozar ;|t"So you've taken someone else's
nostalgia": trauma, nostalgia, and American hero stories /
|rLindsay Hallam --|gAfterword.|tOn "unadaptability" (or,
requiem for a squid) /|rSuzanne Scott.
650 0 Comic books, strips, etc.|xTelevision adaptations|xHistory
and criticism.
650 0 Comic books, strips, etc.|xFilm adaptations|xHistory and
criticism.
700 1 Morton, Drew,|d1983-|eeditor.
700 1 Jenkins, Henry,|ewriter of foreword.
700 1 Scott, Suzanne,|ewriter of afterword.
776 08 |iPrint version:|tAfter midnight|dJackson : University
Press of Mississippi, 2022|z9781496842169|w(DLC)
2022026293
830 0 Mississippi scholarship online.
856 40 |uhttps://hull.idm.oclc.org/login?url=https://
www.jstor.org/stable/10.2307/j.ctv2z0vtv8
921 .
936 JSTOR-D-2023/24
994 92|bUKHLL
