LEADER 00000nam  22004213i 4500 
001    EBC1487013 
003    MiAaPQ 
005    20200515152734.0 
006    m     o  d |       
007    cr cnu|||||||| 
008    200515s2003    xx      o     ||||0 eng d 
020    9781136408212|q(electronic bk.) 
035    (MiAaPQ)EBC1487013 
035    (Au-PeEL)EBL1487013 
035    (CaPaEBR)ebr10784444 
035    (CaONFJC)MIL536184 
035    (OCoLC)862049209 
040    MiAaPQ|beng|erda|epn|cMiAaPQ|dMiAaPQ 
050  4 PN1995.9.B598 -- M68 2003eb 
082 0  791.43/75 
100 1  Stringer, Julian. 
245 10 Movie Blockbusters. 
264  1 London :|bTaylor & Francis Group,|c2003. 
264  4 |c©2003. 
300    1 online resource (289 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  Cover -- Title Page -- Copyright Page -- Table of Contents
       -- List of figures -- List of contributors -- Introduction
       -- The New Hollywood -- PART I Industry matters -- 1 
       Hollywood blockbusters: historical dimensions -- 2 
       Following the money in America's sunniest company town: 
       some notes on the political economy of the Hollywood 
       blockbuster -- 3 The Hollywood blockbuster: industrial 
       analysis and practice -- 4 The role of the auteur in the 
       age of the blockbuster: Steven Spielberg and DreamWorks --
       PART II Exploring spectacle -- 5 Talking about a 
       revolution: the blockbuster as industrial advertisement --
       6 Spectacle, narrative, and the spectacular Hollywood 
       blockbuster -- 7 "Want to take a ride?": reflections on 
       the blockbuster experience in Contact (1997) -- 8 
       Blockbusting sound: the case of The Fugitive -- PART III 
       Establishing cultural status -- 9 Circulations of taste: 
       Titanic, the Oscars, and the middlebrow -- 10 Sex, 
       controversy, box-office: from blockbuster to bonkbuster --
       11 Star Wars in fandom, film theory, and the museum: the 
       cultural status of the cult blockbuster -- 12 The best 
       place to see a film: the blockbuster, the multiplex, and 
       the contexts of consumption -- 13 Neither one thing nor 
       the other: blockbusters at film festivals -- PART IV The 
       blockbuster in the international frame -- 14 "What's big 
       about the big film?": "de-Westernizing" the blockbuster in
       Korea and China -- 15 Once Were Warriors: New Zealand's 
       first indigenous blockbuster -- 16 Television for the big 
       screen: how Comodines became Argentina's first blockbuster
       phenomenon -- 17 Locating Bollywood: notes on the Hindi 
       blockbuster, 1975 to the present -- Index. 
506 1  Unlimited number of concurrent users.|5UkHlHU 
506 1  Unlimited number of concurrent users.|5UkHlHU 
650  0 History. 
776 1  |iPrint version:|z9780415256087 
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       detail.action?docID=1487013|zGo to ebook 
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