| Descript |
1 online resource (xii, 247 pages) : illustrations |
| Content |
text txt |
| Media |
computer c |
| Carrier |
online resource cr |
| Contents |
The coming-of-age film as a genre: attributes, evolution, and functions -- New Zealand coming-of-age films: distinctive characteristics and thematic preoccupations -- The formation of a budding man alone: The God Boy (Murray Reece, 1976) -- An angry young man seeks to justify himself: Sleeping Dogs (Ian Donaldson, 1977) -- An immigrant filmmaker substitutes an alternative vision of adolescence: The Scarecrow Man (Sam Pillsbury, 1982) -- Art-cinema, cultural dislocation, and the entry into puberty: Vigil (Vincent Ward, 1984) -- A Māori girl watches, listens, and learns -- coming of age from an indigenous viewpoint: Mauri (Merata Mita, 1988) -- Creativity as a haven: An Angel at My Table (Jane Campion, 1990) -- Desperation turned outwards: Heavenly Creatures (Peter Jackson, 1994) -- Confronting domestic violence and familial abuse: Once Were Warriors (Lee Tamahori, 1994) -- An adolescent girl experiments with sexuality: Rain (Christine Jeffs, 2001) -- Asserting feminist claims within Māori culture: Whale Rider (Nicki Caro, 2002) -- Family secrets and their destructive consequences: In My Father's Den (Brad McGann, 2004) -- A gay boy comes to terms with his sexuality: 50 Ways of Saying Fabulous (Stewart Main, 2005) -- Parental abandonment and the trauma of loss: Boy (Taika Waititi, 2010) -- A Māori boy contests the old patriarchal order: Mahana (Lee Tamahori, 2016) -- Delinquency and bicultural relations: Hunt for the Wilderpeople (Taika Waititi, 2016). |
| ISBN |
9781474429467 (electronic book) |
|
1474429467 (electronic book) |
|
1474429440 |
|
9781474429443 |
|
9781474438438 (electronic bk.) |
|
1474438431 (electronic bk.) |
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9781474429443 (hardback) |
|
9781474429450 |
|
1474429459 |
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