| Descript |
xxxiii, 846 pages : illustrations (black and white) |
| Content |
text |
|
still image |
| Media |
computer |
| Carrier |
online resource |
| Edition |
Fourth edition. |
| Note |
"A Focal Press book"--Front cover. |
|
Previous edition: Amsterdam: Focal, 2012. |
| Contents |
<p>About the Author</p> <p>Acknowledgements</p> <p>Preface</p> <p>Introduction</p> <p>Chapter 1: General Requirements and Common Errors</p> <p>Chapter 2: Sound, Decibels, and Hearing</p> <p>Chapter 3: Sound Isolation</p> <p>Chapter 4: Room Acoustics and Means of Control</p> <p>Chapter 5: Designing Neutral Rooms</p> <p>Chapter 6: Rooms with Characteristic Acoustics</p> <p>Chapter 7: Variable Acoustics</p> <p>Chapter 8: Room Combinations and Operational Considerations</p> <p>Chapter 9: The Studio Environment</p> <p>Chapter 10: Limitations to Design Predictions</p> <p>Chapter 11: Loudspeakers in Rooms</p> <p>Chapter 12: Flattening the Room Response</p> <p>Chapter 13: Control Rooms</p> <p>Chapter 14: The Behaviour of Multiple Loudspeakers in Rooms</p> <p>Chapter 15: Studio Monitoring: The Principal Objectives</p> <p>Chapter 16: The Non-Environment Control Room</p> <p>Chapter 17: The Live-End, Dead-End Approach</p> <p>Chapter 18: Response Disturbances Due to Mixing Consoles and Studio Furniture</p> <p>Chapter 19: Objective Measurement and Subjective Evaluations</p> <p>Chapter 20: Studio Monitoring Systems</p> <p>Chapter 21: Surround Sound and Multi-Channel Control Rooms</p> <p>Chapter 22: Dubbing Theatres and Cinema Sound</p> <p>Chapter 23: A Mobile Control Room</p> <p>Chapter 24: Foldback</p> <p>Chapter 25: Main Supplies and Earthing Systems</p> <p>Chapter 26: Analogue Audio Interfacing</p> <p>Chapter 27: A Pictorial Representation of a Studio Construction</p> <p>Chapter 28 Human Factors</p> <p>Appendix 1</p> <p>Appendix 2</p> <p>Glossary of Terms</p> <p>Conversion Tables</p> <p>Index</p> |
| Note |
325 annual accesses. UkHlHU |
| ISBN |
9781317381952 (e-book) |
|
9781138936072 (pbk.) : |
|
9781315675367 (ebook) |
|
