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Author OLIVER CARTER.
Title Making European cult cinema : fan enterprise in an alternative economy / Oliver Carter.
Publication Info [Place of publication not identified] AMSTERDAM University PRE, 2018.


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Descript 1 online resource
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Contents Cover; Contents; Acknowledgements; Preface; Introduction; Fancademia: A Limitation of Fan Studies?; Defining the fan; Choosing a direction; Celebrating fandom; Fan studies as fan production?; The structure of the book; 1. Fan Enterprise as an Alternative Economy; Fandom as an economy; Defining the 'alternative economy'; Fans as creative workers; Fan produced texts as exchangeable artefacts; Fans transgressing rules and regulations; Conclusion; 2. Researching an Alternative Economy; A (fan) ethnographic approach; A model for fan ethnography: 'Combined ethnography'; Using combined ethnography
Limitations and ethical considerationsConclusion; 3. Defining European Cult Cinema; Trash or cult?; What is European cult cinema?; The 'giallo'; Conclusion; 4. Historicizing the Alternative Economy of European Cult Cinema Fan Enterprise; The fanzines; The significance of VHS; The British horror fanzines; Media Communications: The first fan enterprise; Media Communications and the Fantom Kiler; Dark Publications: The second fan enterprise; FAB Press: The third fan enterprise; Conclusion: Diversifying production; 5. Sharing European Cult Cinema: Encouraging and Rewarding Fan Enterprise
Commercially releasing gialli on home videoWhat is CineTorrent?; Policies, rules and, regulations; Constructing an archive; The Giallo Project; The Giallo Project and user creativity; Conclusion: CineTorrent as a fan enterprise; 6. Informal Enterprises: Selling European Cult Cinema; The shop with the Crystal Plumage; Pronto! Giallo T-shirts; From 'supply and demand' to 'demand and supply'; Tough to Kill and Lulu; European cult T-shirts on Spreadshirt; Conclusion; Conclusion: Making Fandoms; From the alternative to the formal? Crowdfunding Eurocrime; Making European cult cinema
New directions for fan studiesBibliography; Index; List of Figures and Tables; Fig. 2.1: The 'combined ethnography model'; Fig. 4.1: The evolution of European Trash Cinema; Fig. 4.2: Front covers of Go Video releases of Cannibal Holocaust and SS Experiment Camp; Fig. 4.3: Fantom Kiler DVD cover; Fig. 4.4: The Fantom Kiler; Fig. 4.5: The Fantom Kiler sequels; Fig. 4.6: Issues one and three of Flesh and Blood; Fig. 4.7: Examples of FAB Press' publications; Fig. 5.1: DVD production costs; Fig. 5.2: Safe and unsafe content; Fig. 5.3: eBay advert for the fan DVD of Red Light Girls
Fig. 6.1: Examples of Daria's t-shirt designsFig. 6.2: Daria's Pronto! t-shirt design; Fig. 6.3: Examples of Jonny's Spreadshirt designs; Fig. 6.4: My Spreadshirt designs; Fig. 6.5: Spreadshirt's design guidelines; Fig. 7.1: Eurocrime Kickstarter page; Fig. 7.2: Incremental rewards for Kickstarter donations to the Eurocrime documentary; Fig. 7.3: Making fandom model
ISBN 9048529069 (electronic bk.)
9789048529063 (electronic bk.)
 Click on the terms below to find similar items in the catalogue
Author OLIVER CARTER.
Subject Cult films -- Europe.
Motion pictures -- Europe.
Motion picture audiences -- Europe.
Descript 1 online resource
Content text txt
Media computer c
Carrier online resource cr
Contents Cover; Contents; Acknowledgements; Preface; Introduction; Fancademia: A Limitation of Fan Studies?; Defining the fan; Choosing a direction; Celebrating fandom; Fan studies as fan production?; The structure of the book; 1. Fan Enterprise as an Alternative Economy; Fandom as an economy; Defining the 'alternative economy'; Fans as creative workers; Fan produced texts as exchangeable artefacts; Fans transgressing rules and regulations; Conclusion; 2. Researching an Alternative Economy; A (fan) ethnographic approach; A model for fan ethnography: 'Combined ethnography'; Using combined ethnography
Limitations and ethical considerationsConclusion; 3. Defining European Cult Cinema; Trash or cult?; What is European cult cinema?; The 'giallo'; Conclusion; 4. Historicizing the Alternative Economy of European Cult Cinema Fan Enterprise; The fanzines; The significance of VHS; The British horror fanzines; Media Communications: The first fan enterprise; Media Communications and the Fantom Kiler; Dark Publications: The second fan enterprise; FAB Press: The third fan enterprise; Conclusion: Diversifying production; 5. Sharing European Cult Cinema: Encouraging and Rewarding Fan Enterprise
Commercially releasing gialli on home videoWhat is CineTorrent?; Policies, rules and, regulations; Constructing an archive; The Giallo Project; The Giallo Project and user creativity; Conclusion: CineTorrent as a fan enterprise; 6. Informal Enterprises: Selling European Cult Cinema; The shop with the Crystal Plumage; Pronto! Giallo T-shirts; From 'supply and demand' to 'demand and supply'; Tough to Kill and Lulu; European cult T-shirts on Spreadshirt; Conclusion; Conclusion: Making Fandoms; From the alternative to the formal? Crowdfunding Eurocrime; Making European cult cinema
New directions for fan studiesBibliography; Index; List of Figures and Tables; Fig. 2.1: The 'combined ethnography model'; Fig. 4.1: The evolution of European Trash Cinema; Fig. 4.2: Front covers of Go Video releases of Cannibal Holocaust and SS Experiment Camp; Fig. 4.3: Fantom Kiler DVD cover; Fig. 4.4: The Fantom Kiler; Fig. 4.5: The Fantom Kiler sequels; Fig. 4.6: Issues one and three of Flesh and Blood; Fig. 4.7: Examples of FAB Press' publications; Fig. 5.1: DVD production costs; Fig. 5.2: Safe and unsafe content; Fig. 5.3: eBay advert for the fan DVD of Red Light Girls
Fig. 6.1: Examples of Daria's t-shirt designsFig. 6.2: Daria's Pronto! t-shirt design; Fig. 6.3: Examples of Jonny's Spreadshirt designs; Fig. 6.4: My Spreadshirt designs; Fig. 6.5: Spreadshirt's design guidelines; Fig. 7.1: Eurocrime Kickstarter page; Fig. 7.2: Incremental rewards for Kickstarter donations to the Eurocrime documentary; Fig. 7.3: Making fandom model
ISBN 9048529069 (electronic bk.)
9789048529063 (electronic bk.)
Author OLIVER CARTER.
Subject Cult films -- Europe.
Motion pictures -- Europe.
Motion picture audiences -- Europe.

Subject Cult films -- Europe.
Motion pictures -- Europe.
Motion picture audiences -- Europe.
Descript 1 online resource
Content text txt
Media computer c
Carrier online resource cr
Contents Cover; Contents; Acknowledgements; Preface; Introduction; Fancademia: A Limitation of Fan Studies?; Defining the fan; Choosing a direction; Celebrating fandom; Fan studies as fan production?; The structure of the book; 1. Fan Enterprise as an Alternative Economy; Fandom as an economy; Defining the 'alternative economy'; Fans as creative workers; Fan produced texts as exchangeable artefacts; Fans transgressing rules and regulations; Conclusion; 2. Researching an Alternative Economy; A (fan) ethnographic approach; A model for fan ethnography: 'Combined ethnography'; Using combined ethnography
Limitations and ethical considerationsConclusion; 3. Defining European Cult Cinema; Trash or cult?; What is European cult cinema?; The 'giallo'; Conclusion; 4. Historicizing the Alternative Economy of European Cult Cinema Fan Enterprise; The fanzines; The significance of VHS; The British horror fanzines; Media Communications: The first fan enterprise; Media Communications and the Fantom Kiler; Dark Publications: The second fan enterprise; FAB Press: The third fan enterprise; Conclusion: Diversifying production; 5. Sharing European Cult Cinema: Encouraging and Rewarding Fan Enterprise
Commercially releasing gialli on home videoWhat is CineTorrent?; Policies, rules and, regulations; Constructing an archive; The Giallo Project; The Giallo Project and user creativity; Conclusion: CineTorrent as a fan enterprise; 6. Informal Enterprises: Selling European Cult Cinema; The shop with the Crystal Plumage; Pronto! Giallo T-shirts; From 'supply and demand' to 'demand and supply'; Tough to Kill and Lulu; European cult T-shirts on Spreadshirt; Conclusion; Conclusion: Making Fandoms; From the alternative to the formal? Crowdfunding Eurocrime; Making European cult cinema
New directions for fan studiesBibliography; Index; List of Figures and Tables; Fig. 2.1: The 'combined ethnography model'; Fig. 4.1: The evolution of European Trash Cinema; Fig. 4.2: Front covers of Go Video releases of Cannibal Holocaust and SS Experiment Camp; Fig. 4.3: Fantom Kiler DVD cover; Fig. 4.4: The Fantom Kiler; Fig. 4.5: The Fantom Kiler sequels; Fig. 4.6: Issues one and three of Flesh and Blood; Fig. 4.7: Examples of FAB Press' publications; Fig. 5.1: DVD production costs; Fig. 5.2: Safe and unsafe content; Fig. 5.3: eBay advert for the fan DVD of Red Light Girls
Fig. 6.1: Examples of Daria's t-shirt designsFig. 6.2: Daria's Pronto! t-shirt design; Fig. 6.3: Examples of Jonny's Spreadshirt designs; Fig. 6.4: My Spreadshirt designs; Fig. 6.5: Spreadshirt's design guidelines; Fig. 7.1: Eurocrime Kickstarter page; Fig. 7.2: Incremental rewards for Kickstarter donations to the Eurocrime documentary; Fig. 7.3: Making fandom model
ISBN 9048529069 (electronic bk.)
9789048529063 (electronic bk.)
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