| Descript |
1 online resource (xi, 206 pages) : illustrations; digital, PDF file(s). |
| Content |
text txt |
| Media |
computer c |
| Carrier |
online resource cr |
| Note |
Made available via: manchesterhive. |
| Contents |
Introduction: approaching British rural landscapes on film / Paul Newland --1. Silent landscapes: rural settings, national identity and British silent cinema / Andrew Higson --2. British landscapes in pre-Second World War film publicity / Paul Moody --3. Rural imagery in World War Two British cinema / Tom Ryall --4. 'An unlimited field for experiment': Britain's stereoscopic landscapes / Keith M. Johnston --5. The figure (and disfigurement) in the landscape: <i>The Go-Between's</i> picturesque / Mark Broughton --6. 'Here is Wales, there England': Contested borders and blurred boundaries in <i>On the Black Hill </i> / Kate Woodward --7. Where the land meets the sea: liminality, identity and rural landscape in contemporary Scottish cinema / Duncan Petrie --8. Fantasy, fallacy and allusion: reconceptualizing British landscapes through the lens of children's cinema / Suzanne Speidel --9. Picturesque, pastoral and dirty: uncivilised topographies in <i>Jane Eyre</i> and <i>Wuthering Heights</i> / Stella Hockenhull --10. Folk horror and the contemporary cult of British rural landscape: the case of <i>Blood on Satan's Claw</i> / Paul Newland --11. <i>sleep furiously</i>: interview with Gideon Koppel / Paul Newland --12. Film and the repossession of rural space: interview with Patrick Keiller / Paul Newland --Index. |
| Note |
In English. |
| ISBN |
9781526104687 (PDF eBook) |
|
9781526104694 (ePUB eBook) |
|
9780719091575 (hardback) |
| Standard # |
10.7765/9781526104687 doi |
| Standard no. |
www.manchesterhive.com/view/9781526104687/9781526104687.xml |
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