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Title Cormac McCarthy : All the pretty horses, No country for old men, The road / edited by Sara L. Spurgeon.
Publication Info London : Continuum, c2011.



Descript viii, 214 p.
Contents Series Preface; Introduction, Sara L. Spurgeon (Texas Tech University, USA); Part I: All the Pretty Horses (1991); Introduction; 1. "This is Another Country": The Complex Feminine Presence in All the Pretty Horses, Linda Woodson (The University of Texas at San Antonio, USA); 2. A Case of Maladaptation: All the Pretty Horses, One Rough Ride from National Book Award Winner to Film-Flam David N. Cremean (Black Hills State University; Spearfish, USA) \; 3. Hang and Rattle: John Grady Cole's Horsebreaking in Typescript, Novel, and Film, Stacey Peebles (University of Houston, USA); Part II: No Country for Old Men (2005); Introduction; 4. "Mercantile Ethics": No Country for Old Men and the Narcocorrido, Stephen Tatum (University of Utah, Salt Lake City, USA); 5. "Do you see?" Elliptic Levels in No Country for Old Men, Jay Ellis (University of Colorado at Boulder, USA); 6. Evil, Mood, and Reflection in the Coen Brothers' No Country for Old Men, Dan Flory (Montana State University, USA); Part III: The Road (2006); Introduction; 7. "Everything uncoupled from its shoring": Quandaries of Epistemology and Ethics in The Road, Donovan Gwinner (Black Hills State University; Spearfish, USA); 8. "Barren, silent, godless": Ecodisaster and the Post-Abundant Landscape in The Road, Susan Kollin (Montana State University, Bozeman, USA); 9. He Ought Not Have Done It: McCarthy and Apocalypse, Dana Phillips (Towson University, USA); Further Reading; Notes on Contributors; Index.
Note 400 annual accesses. UkHlHU
ISBN 9781441154811 (e-book)
Click on the terms below to find similar items in the catalogue
Series Continuum studies in contemporary North American fiction
Continuum studies in contemporary North American fiction.
Subject McCarthy, Cormac, 1933- All the pretty horses.
McCarthy, Cormac, 1933- No country for old men.
McCarthy, Cormac, 1933- Road.
Alt author Spurgeon, Sara L.
Descript viii, 214 p.
Contents Series Preface; Introduction, Sara L. Spurgeon (Texas Tech University, USA); Part I: All the Pretty Horses (1991); Introduction; 1. "This is Another Country": The Complex Feminine Presence in All the Pretty Horses, Linda Woodson (The University of Texas at San Antonio, USA); 2. A Case of Maladaptation: All the Pretty Horses, One Rough Ride from National Book Award Winner to Film-Flam David N. Cremean (Black Hills State University; Spearfish, USA) \; 3. Hang and Rattle: John Grady Cole's Horsebreaking in Typescript, Novel, and Film, Stacey Peebles (University of Houston, USA); Part II: No Country for Old Men (2005); Introduction; 4. "Mercantile Ethics": No Country for Old Men and the Narcocorrido, Stephen Tatum (University of Utah, Salt Lake City, USA); 5. "Do you see?" Elliptic Levels in No Country for Old Men, Jay Ellis (University of Colorado at Boulder, USA); 6. Evil, Mood, and Reflection in the Coen Brothers' No Country for Old Men, Dan Flory (Montana State University, USA); Part III: The Road (2006); Introduction; 7. "Everything uncoupled from its shoring": Quandaries of Epistemology and Ethics in The Road, Donovan Gwinner (Black Hills State University; Spearfish, USA); 8. "Barren, silent, godless": Ecodisaster and the Post-Abundant Landscape in The Road, Susan Kollin (Montana State University, Bozeman, USA); 9. He Ought Not Have Done It: McCarthy and Apocalypse, Dana Phillips (Towson University, USA); Further Reading; Notes on Contributors; Index.
Note 400 annual accesses. UkHlHU
ISBN 9781441154811 (e-book)
Series Continuum studies in contemporary North American fiction
Continuum studies in contemporary North American fiction.
Subject McCarthy, Cormac, 1933- All the pretty horses.
McCarthy, Cormac, 1933- No country for old men.
McCarthy, Cormac, 1933- Road.
Alt author Spurgeon, Sara L.

Subject McCarthy, Cormac, 1933- All the pretty horses.
McCarthy, Cormac, 1933- No country for old men.
McCarthy, Cormac, 1933- Road.
Descript viii, 214 p.
Contents Series Preface; Introduction, Sara L. Spurgeon (Texas Tech University, USA); Part I: All the Pretty Horses (1991); Introduction; 1. "This is Another Country": The Complex Feminine Presence in All the Pretty Horses, Linda Woodson (The University of Texas at San Antonio, USA); 2. A Case of Maladaptation: All the Pretty Horses, One Rough Ride from National Book Award Winner to Film-Flam David N. Cremean (Black Hills State University; Spearfish, USA) \; 3. Hang and Rattle: John Grady Cole's Horsebreaking in Typescript, Novel, and Film, Stacey Peebles (University of Houston, USA); Part II: No Country for Old Men (2005); Introduction; 4. "Mercantile Ethics": No Country for Old Men and the Narcocorrido, Stephen Tatum (University of Utah, Salt Lake City, USA); 5. "Do you see?" Elliptic Levels in No Country for Old Men, Jay Ellis (University of Colorado at Boulder, USA); 6. Evil, Mood, and Reflection in the Coen Brothers' No Country for Old Men, Dan Flory (Montana State University, USA); Part III: The Road (2006); Introduction; 7. "Everything uncoupled from its shoring": Quandaries of Epistemology and Ethics in The Road, Donovan Gwinner (Black Hills State University; Spearfish, USA); 8. "Barren, silent, godless": Ecodisaster and the Post-Abundant Landscape in The Road, Susan Kollin (Montana State University, Bozeman, USA); 9. He Ought Not Have Done It: McCarthy and Apocalypse, Dana Phillips (Towson University, USA); Further Reading; Notes on Contributors; Index.
Note 400 annual accesses. UkHlHU
Alt author Spurgeon, Sara L.
ISBN 9781441154811 (e-book)

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