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Author Peffer, John.
Title Art and the end of apartheid / John Peffer.
Publication Info Minneapolis, Minn. : University of Minnesota Press, 2009.


LOCATION SHELVED AT LOAN TYPE STATUS
 BJL 7th Floor  N 7172 P3  8 WEEK LOAN  AVAILABLE

Descript xxii, 339 p., 8 p. of plates : ill. (some col.) ; 26 cm.
Note Expansion and revision of the author's thesis (doctoral)--Columbia University, 2001.
Portions previously published in various sources.
Contents Grey areas and the space of modern black art -- Becoming animal: the tortured body during Apartheid -- Culture and resistance: activist art and the rhetoric of commitment -- Here comes mello-yello: image, violence, and play after Soweto -- Abstraction and community: liberating art during the states of emergency -- These guys are heavy: alternative forms of commitment -- Resurfacing: the art of Durant Sihlali -- Censorship and iconoclasm: overturning Apartheid's monuments -- Shadows: a short history of photography in South Africa.
ISBN 9780816650026 (pb : alk. paper)
9780816650019 (hc : alk. paper)
0816650012 (hc : alk. paper)
0816650020 (pb : alk. paper)
Click on the terms below to find similar items in the catalogue
Author Peffer, John.
Subject Art, South African -- 20th century.
Art, Black -- South Africa -- 20th century.
Apartheid and art.
Modernism (Art) -- South Africa.
Art and society -- South Africa -- History -- 20th century.
Descript xxii, 339 p., 8 p. of plates : ill. (some col.) ; 26 cm.
Note Expansion and revision of the author's thesis (doctoral)--Columbia University, 2001.
Portions previously published in various sources.
Contents Grey areas and the space of modern black art -- Becoming animal: the tortured body during Apartheid -- Culture and resistance: activist art and the rhetoric of commitment -- Here comes mello-yello: image, violence, and play after Soweto -- Abstraction and community: liberating art during the states of emergency -- These guys are heavy: alternative forms of commitment -- Resurfacing: the art of Durant Sihlali -- Censorship and iconoclasm: overturning Apartheid's monuments -- Shadows: a short history of photography in South Africa.
ISBN 9780816650026 (pb : alk. paper)
9780816650019 (hc : alk. paper)
0816650012 (hc : alk. paper)
0816650020 (pb : alk. paper)
Author Peffer, John.
Subject Art, South African -- 20th century.
Art, Black -- South Africa -- 20th century.
Apartheid and art.
Modernism (Art) -- South Africa.
Art and society -- South Africa -- History -- 20th century.
LOCATION SHELVED AT LOAN TYPE STATUS
 BJL 7th Floor  N 7172 P3  8 WEEK LOAN  AVAILABLE

Subject Art, South African -- 20th century.
Art, Black -- South Africa -- 20th century.
Apartheid and art.
Modernism (Art) -- South Africa.
Art and society -- South Africa -- History -- 20th century.
Descript xxii, 339 p., 8 p. of plates : ill. (some col.) ; 26 cm.
Note Expansion and revision of the author's thesis (doctoral)--Columbia University, 2001.
Portions previously published in various sources.
Contents Grey areas and the space of modern black art -- Becoming animal: the tortured body during Apartheid -- Culture and resistance: activist art and the rhetoric of commitment -- Here comes mello-yello: image, violence, and play after Soweto -- Abstraction and community: liberating art during the states of emergency -- These guys are heavy: alternative forms of commitment -- Resurfacing: the art of Durant Sihlali -- Censorship and iconoclasm: overturning Apartheid's monuments -- Shadows: a short history of photography in South Africa.
ISBN 9780816650026 (pb : alk. paper)
9780816650019 (hc : alk. paper)
0816650012 (hc : alk. paper)
0816650020 (pb : alk. paper)

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