LEADER 00000nam 2200373 i 4500 001 10002187677 003 UkLoRLUK 008 140829t20152015enka b 001 0 eng d 020 9780198723592|q(hardback) 020 0198723598|q(hardback) 035 (Uk)016938743 035 (UkLUC)002187677 040 StDuBDS|beng|cStDuBDS|erda|dUkLUC 049 |jCU|k10002187677|lb 050 4 NB 94 M4 082 04 704.9420938|223 100 1 Masséglia, Jane,|d1980- 245 10 Body language in Hellenistic art and society /|cJane Masséglia. 264 1 Oxford :|bOxford University Press,|c2015. 264 4 |c©2015 300 xxiv, 362 pages :|billustrations ;|c26 cm. 336 text|2rdacontent 336 still image|2rdacontent 337 unmediated|2rdamedia 338 volume|2rdacarrier 490 1 Oxford studies in ancient culture and representation 505 0 Introduction. What is "Hellenistic" art? ; Body language ; Existing scholarship ; Structure ; Material and function - - The body language of Hellenistic kings. Kings ; Queens - - The body language of the civic elite : men. Philosophers and poets ; Citizen men -- The body language of the civic elite : citizen women -- The body language of "genre" figures. Africans ; Servants ; Paidagogoi ; Fishermen and peasants ; Old women and nurses -- The body language of "grotesques". Dwarfs ; "Cripples" -- Body language in Hellenistic art and society. Asymmetry ; Thematic incongruity ; Movement ; Gendered display ; Social conformity ; Concluding remarks -- Appendix 1 : The "mime" problem -- Appendix 2 : The body language of sitting. 650 0 Art, Hellenistic. 650 0 Body language in art. 651 0 Greece|xSocial conditions|yTo 146 B.C. 830 0 Oxford studies in ancient culture and representation.
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