LEADER 00000cam 2200397 i 4500 001 022305966 003 UkLoRLUK 008 141105t20152015inuag b 001 0 eng c 020 9780253014511|q(paperback) 020 9780253014436|q(hardcover) 035 (Coutts)027401296 035 (DLC) 2014017905 035 (StEdU)2305966 040 ICU/DLC|beng|erda|cICU|dUK-RwCLS 049 |jCU|k022305966|ll 050 04 ML 2075 M6 082 00 781.5/420973|223 100 1 Meyer, Stephen C.,|d1963- 245 10 Epic sound :|bmusic in postwar Hollywood biblical films / |cStephen C. Meyer. 264 1 Bloomington :|bIndiana University Press,|c[2015] 264 4 |c©2015 300 x, 272 pages :|billustrations, music ;|c23 cm 336 text|2rdacontent 337 unmediated|2rdamedia 338 volume|2rdacarrier 505 0 A biblical story for the post-World War II generation? : Victor Young's music for DeMille's Samson and Delilah -- Turning away from "concocted spectacle" : Alfred Newman's score for David and Bathsheba -- Spectacle and authenticity in Miklós Rózsa's Quo vadis score -- Novel and film, music and miracle : Alfred Newman's score to The robe -- Spirit and empire : Elmer Bernstein's score to The Ten Commandments -- The law of genre and the music for Ben -Hur -- King of kings and the problem of repetition -- Suoni nuovi, suoni antichi : the soundscapes of Barabbas - - Universality, transcendence, and collapse : music and the greatest story ever told. 650 0 Motion picture music|xHistory and criticism. 650 0 Bible films|zUnited States. 650 0 Film composers.
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