LEADER 00000cam  2200397 i 4500 
001    022305966 
003    UkLoRLUK 
008    141105t20152015inuag    b    001 0 eng c 
020    9780253014511 (paperback) 
020    9780253014436 (hardcover) 
035    (Coutts)027401296 
035    (DLC)  2014017905 
035    (StEdU)2305966 
040    ICU/DLC|beng|erda|cICU|dUK-RwCLS 
049    |jCU|k022305966|ll 
050 04 ML 2075 M6 
082 00 781.5/420973|223 
100 1  Meyer, Stephen C.,|d1963- 
245 10 Epic sound :|bmusic in postwar Hollywood biblical films /
       |cStephen C. Meyer. 
264  1 Bloomington :|bIndiana University Press,|c[2015] 
264  4 |c©2015 
300    x, 272 pages :|billustrations, music ;|c23 cm 
336    text|2rdacontent 
337    unmediated|2rdamedia 
338    volume|2rdacarrier 
505 0  A biblical story for the post-World War II generation? : 
       Victor Young's music for DeMille's Samson and Delilah -- 
       Turning away from "concocted spectacle" : Alfred Newman's 
       score for David and Bathsheba -- Spectacle and 
       authenticity in Miklós Rózsa's Quo vadis score -- Novel 
       and film, music and miracle : Alfred Newman's score to The
       robe -- Spirit and empire : Elmer Bernstein's score to The
       Ten Commandments -- The law of genre and the music for Ben
       -Hur -- King of kings and the problem of repetition -- 
       Suoni nuovi, suoni antichi : the soundscapes of Barabbas -
       - Universality, transcendence, and collapse : music and 
       the greatest story ever told. 
650  0 Motion picture music|xHistory and criticism. 
650  0 Bible films|zUnited States. 
650  0 Film composers. 
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