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1 online resource |
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text txt |
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computer c |
| Carrier |
online resource cr |
| Descript |
data file rda |
| Contents |
Cover -- DEVOURING TIME -- Title -- Copyright -- Dedication -- Contents -- Figures -- Acknowledgments -- Introduction: Remembrance of Things Past -- PART ONE DEFINING TERMS -- 1 Why Shakespeare Films Now? -- 2 The Drive to Realism in Shakespearean Adaptation to Film -- PART TWO REMEMBERING ORIGINS -- 3 Shakespeare's Prologues on Page and Screen -- 4 Nostalgia for the Stage in Shakespearean Films -- 5 Death Rituals in Shakespeare, Almereyda, and Luhrmann -- PART THREE DISGUISE, GENRE, AND PLAY -- 6 Gothic Aspects of Kenneth Branagh's Hamlet -- 7 Art and the Grotesque in Julie Taymor's Titus and Peter Greenaway's Prospero's Books -- 8 Five English Screen Directors' Approaches to Cross-Dressing in As You Like It and Twelfth Night -- 9 Propaganda and the Other in Branagh's Henry V and Fiennes's Coriolanus -- PART FOUR MUSIC AND MEMORY -- 10 "Sigh No More Ladies": Shakespeare, Branagh, and Whedon Tackle Issues of Gender and Fidelity in Much Ado About Nothing -- 11 "O Mistress Mine": Intercutting in Trevor Nunn's Twelfth Night -- 12 Nostalgia in Hoffman's William Shakespeare's A Midsummer Night's Dream and Branagh's Love's Labour's Lost -- 13 Ariel's Singing Body as Interpreted by Greenaway and Taymor -- Conclusion -- Works Cited -- Index. |
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Unlimited number of concurrent users. UkHlHU |
| ISBN |
9780773550216 (PDF) |
|
0773550216 |
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9780773550223 (EPUB) |
|
0773550224 |
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0773550194 |
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9780773550193 |
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0773550208 |
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9780773550209 |
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