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008 140908t20142014cau ob 001 0 eng d
020 9780520957411|q(e-book)
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020 130649849X
020 9781306498494
020 |z9780520276741|q(cloth ;|qalk. paper)
020 |z0520276744
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049 MAIN
050 4 PN1995|b.M2335 2014eb
082 04 791.4301|223
100 1 MacKenzie, Scott,|d1967-
245 10 Film manifestos and global cinema cultures :|ba critical
anthology /|cScott MacKenzie.
264 1 Berkeley ;|aLondon :|bUniversity of California Press,
|c[2014]
264 4 |c©2014
300 1 online resource (xxi, 651 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 0 Cover; FILM MANIFESTOS AND GLOBAL CINEMA CULTURES; Title;
Copyright; CONTENTS; Acknowledgments; Introduction. "An
Invention without a Future"; 1. THE AVANT-GARDE(S); The
Futurist Cinema (Italy, 1916); Lenin Decree (USSR, 1919);
The ABCs of Cinema (France, 1917-1921); WE: Variant of a
Manifesto (USSR, 1922); The Method of Making Workers'
Films (USSR, 1925); Constructivism in the Cinema (USSR,
1928); Preface: Un chien Andalou (France, 1928); Manifesto
of the Surrealists Concerning L'Age d'or (France, 1930);
Manifesto on "Que Viva Mexico" (USA, 1933); Spirit of
Truth (France, 1933).
505 8 An Open Letter to the Film Industry and to All Who Are
Interested in the Evolution of the Good Film (Hungary,
1934)Light*Form*Movement*Sound (USA, 1935); Prolegomena
for All Future Cinema (France, 1952); No More Flat Feet!
(France, 1952); The Lettristes Disavow the Insulters of
Chaplin (France, 1952); The Only Dynamic Art (USA, 1953);
A Statement of Principles (USA, 1961); The First Statement
of the New American Cinema Group (USA, 1961); Foundation
for the Invention and Creation of Absurd Movies (USA,
1962); From Metaphors on Vision (USA, 1963); Kuchar 8mm
Film Manifesto (USA, 1964).
505 8 Film Andepandan [Independents] Manifesto (Japan,
1964)Discontinuous Films (Canada, 1967); Hand-Made Films
Manifesto (Australia, 1968); Cinema Manifesto (Australia,
1971); For a Metahistory of Film: Commonplace Notes and
Hypotheses (USA, 1971); Elements of the Void (Greece,
1972); Small Gauge Manifesto (USA, 1980); Cinema of
Transgression Manifesto (USA, 1985); Modern, All Too
Modern (USA, 1988); Open Letter to the Experimental Film
Congress: Let's Set the Record Straight (Canada, 1989);
Anti-100 Years of Cinema Manifesto (USA, 1996); The
Decalogue (Czech Republic, 1999).
505 8 Your Film Farm Manifesto on Process Cinema (Canada,
2012)2. NATIONAL AND TRANSNATIONAL CINEMAS; From "The
Glass Eye" (Italy, 1933); The Archers' Manifesto (UK,
1942); What Is Wrong with Indian Films? (India, 1948);
Buñuel the Poet (Mexico, 1951); French Cinema Is Over
(France, 1952); Some Ideas on the Cinema (Italy, 1953); A
Certain Tendency in French Cinema (France, 1954);
Salamanca Manifesto & Conclusions of the Congress of
Salamanca (Spain, 1955); Free Cinema Manifestos (UK, 1956-
1959); The Oberhausen Manifesto (West Germany, 1962);
Untitled [Oberhausen 1965] (West Germany, 1965).
505 8 The Mannheim Declaration (West Germany, 1967)Sitges
Manifesto (Spain, 1967); How to Make a Canadian Film
(Canada, 1967); How to Not Make a Canadian Film (Canada,
1967); From "The Estates General of the French Cinema, May
1968" (France, 1968); Manifesto of the New Cinema Movement
(India, 1968); What Is to Be Done? (France, 1970); The
Winnipeg Manifesto (Canada, 1974); Hamburg Declaration of
German Filmmakers (West Germany, 1979); Manifesto I
(Denmark, 1984); Manifesto II (Denmark, 1987); Manifesto
III: I Confess! (Denmark, 1990); The Cinema We Need
(Canada, 1985).
506 1 Unlimited number of concurrent users.|5UkHlHU
650 0 Motion pictures|xPhilosophy.
856 40 |uhttps://www.jstor.org/stable/10.1525/j.ctt5vk01n
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