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Title A companion to Chinese cinema / edited by Yingjin Zhang.
Alternative Title Chinese cinema
Publication Info Chichester : Wiley-Blackwell, 2012.



Descript xix, 712 p. : ill., ports.
Contents Acknowledgments viii List of Figures ix List of Tables xiii List of Contributors xiv 1 General Introduction 1 Yingjin Zhang Part I History and Geography 23 2 Transplanting Melodrama: Observations on the Emergence ofEarly Chinese Narrative Film 25 Zhang Zhen 3 Artists, Cadres, and Audiences: Chinese Socialist Cinema,1949 1978 42 Paul Clark 4 Directors, Aesthetics, Genres: Chinese Postsocialist Cinema,1979 2010 57 Yingjin Zhang 5 Hong Kong Cinema Before 1980 75 Robert Chi 6 The Hong Kong New Wave 95 Gina Marchetti 7 Gender Negotiation in Song Cunshou s Story ofMother and Taiwan Cinema of the Early 1970s 118 James Wicks 8 Second Coming: The Legacy of Taiwan New Cinema 133 Darrell William Davis Part II Industry and Institution 151 9 Propaganda and Censorship in Chinese Cinema 153 Matthew D. Johnson 10 Chinese Media Capital in Global Context 179 Michael Curtin 11 Film and Society in China: The Logic of the Market 197 Stanley Rosen 12 Vulnerable Chinese Stars: From Xizi to Film Worker218 Sabrina Qiong Yu 13 Ports of Entry: Mapping Chinese Cinema s MultipleTrajectories at International Film Festivals 239 Nikki J. Y. Lee and Julian Stringer Part III Genre and Representation 263 14 In Search of Chinese Film Style(s) and Technique(s) 265 James Udden 15 Film Genre and Chinese Cinema: A Discourse of Film and Nation284 Stephen Teo 16 Performing Documentation: Wu Wenguang and the PerformativeTurn of New Chinese Documentary 299 Qi Wang 17 Chinese Women s Cinema 318 Lingzhen Wang 18 From Urban Films to Urban Cinema: The Emergence of a CriticalConcept 346 Yomi Braester Part IV Arts and Media 359 19 The Intertwinement of Chinese Film and Literature: Choicesand Strategies in Adaptations 361 Liyan Qin 20 Diary of a Homecoming: (Dis-)Inhabiting the Theatrical inPostwar Shanghai Cinema 377 Weihong Bao 21 Cinema and the Visual Arts of China 400 Jerome Silbergeld 22 From Mountain Songs to Silvery Moonlight: Some Notes on Musicin Chinese Cinema 417 Jerome Silbergeld 23 Cross-Fertilization in Chinese Cinema and Television: AStrategic Turn in Cultural Policy 429 Ying Zhu and Bruce Robinson 24 Chinese Cinema and Technology 449 Gary G. Xu Part V Issues and Debates 467 25 Chinese Film Scholarship in Chinese 469 Chen Xihe 26 Chinese Film Scholarship in English 484 Chris Berry 27 The Return of the Repressed: Masculinity and SexualityReconsidered 499 Shuqin Cui 28 Homosexuality and Queer Aesthetics 518 Helen Hok-Sze Leung 29 Alter-centering Chinese Cinema: The Diasporic Formation535 Yiman Wang 30 The Absent American: Figuring the United States in ChineseCinema of the Reform Era 552 Michael Berry Bibliography 575 Filmography 628 Index 655
Note 400 annual accesses. UkHlHU
ISBN 9781444355963 (e-book)
9781444330298 (hbk.)
Click on the terms below to find similar items in the catalogue
Series The Wiley-Blackwell companions to national cinemas
Wiley-Blackwell companions to national cinemas.
Subject Motion pictures -- China -- History.
Alt author Zhang, Yingjin.
Alternative Title Chinese cinema
Descript xix, 712 p. : ill., ports.
Contents Acknowledgments viii List of Figures ix List of Tables xiii List of Contributors xiv 1 General Introduction 1 Yingjin Zhang Part I History and Geography 23 2 Transplanting Melodrama: Observations on the Emergence ofEarly Chinese Narrative Film 25 Zhang Zhen 3 Artists, Cadres, and Audiences: Chinese Socialist Cinema,1949 1978 42 Paul Clark 4 Directors, Aesthetics, Genres: Chinese Postsocialist Cinema,1979 2010 57 Yingjin Zhang 5 Hong Kong Cinema Before 1980 75 Robert Chi 6 The Hong Kong New Wave 95 Gina Marchetti 7 Gender Negotiation in Song Cunshou s Story ofMother and Taiwan Cinema of the Early 1970s 118 James Wicks 8 Second Coming: The Legacy of Taiwan New Cinema 133 Darrell William Davis Part II Industry and Institution 151 9 Propaganda and Censorship in Chinese Cinema 153 Matthew D. Johnson 10 Chinese Media Capital in Global Context 179 Michael Curtin 11 Film and Society in China: The Logic of the Market 197 Stanley Rosen 12 Vulnerable Chinese Stars: From Xizi to Film Worker218 Sabrina Qiong Yu 13 Ports of Entry: Mapping Chinese Cinema s MultipleTrajectories at International Film Festivals 239 Nikki J. Y. Lee and Julian Stringer Part III Genre and Representation 263 14 In Search of Chinese Film Style(s) and Technique(s) 265 James Udden 15 Film Genre and Chinese Cinema: A Discourse of Film and Nation284 Stephen Teo 16 Performing Documentation: Wu Wenguang and the PerformativeTurn of New Chinese Documentary 299 Qi Wang 17 Chinese Women s Cinema 318 Lingzhen Wang 18 From Urban Films to Urban Cinema: The Emergence of a CriticalConcept 346 Yomi Braester Part IV Arts and Media 359 19 The Intertwinement of Chinese Film and Literature: Choicesand Strategies in Adaptations 361 Liyan Qin 20 Diary of a Homecoming: (Dis-)Inhabiting the Theatrical inPostwar Shanghai Cinema 377 Weihong Bao 21 Cinema and the Visual Arts of China 400 Jerome Silbergeld 22 From Mountain Songs to Silvery Moonlight: Some Notes on Musicin Chinese Cinema 417 Jerome Silbergeld 23 Cross-Fertilization in Chinese Cinema and Television: AStrategic Turn in Cultural Policy 429 Ying Zhu and Bruce Robinson 24 Chinese Cinema and Technology 449 Gary G. Xu Part V Issues and Debates 467 25 Chinese Film Scholarship in Chinese 469 Chen Xihe 26 Chinese Film Scholarship in English 484 Chris Berry 27 The Return of the Repressed: Masculinity and SexualityReconsidered 499 Shuqin Cui 28 Homosexuality and Queer Aesthetics 518 Helen Hok-Sze Leung 29 Alter-centering Chinese Cinema: The Diasporic Formation535 Yiman Wang 30 The Absent American: Figuring the United States in ChineseCinema of the Reform Era 552 Michael Berry Bibliography 575 Filmography 628 Index 655
Note 400 annual accesses. UkHlHU
ISBN 9781444355963 (e-book)
9781444330298 (hbk.)
Series The Wiley-Blackwell companions to national cinemas
Wiley-Blackwell companions to national cinemas.
Subject Motion pictures -- China -- History.
Alt author Zhang, Yingjin.
Alternative Title Chinese cinema

Subject Motion pictures -- China -- History.
Descript xix, 712 p. : ill., ports.
Contents Acknowledgments viii List of Figures ix List of Tables xiii List of Contributors xiv 1 General Introduction 1 Yingjin Zhang Part I History and Geography 23 2 Transplanting Melodrama: Observations on the Emergence ofEarly Chinese Narrative Film 25 Zhang Zhen 3 Artists, Cadres, and Audiences: Chinese Socialist Cinema,1949 1978 42 Paul Clark 4 Directors, Aesthetics, Genres: Chinese Postsocialist Cinema,1979 2010 57 Yingjin Zhang 5 Hong Kong Cinema Before 1980 75 Robert Chi 6 The Hong Kong New Wave 95 Gina Marchetti 7 Gender Negotiation in Song Cunshou s Story ofMother and Taiwan Cinema of the Early 1970s 118 James Wicks 8 Second Coming: The Legacy of Taiwan New Cinema 133 Darrell William Davis Part II Industry and Institution 151 9 Propaganda and Censorship in Chinese Cinema 153 Matthew D. Johnson 10 Chinese Media Capital in Global Context 179 Michael Curtin 11 Film and Society in China: The Logic of the Market 197 Stanley Rosen 12 Vulnerable Chinese Stars: From Xizi to Film Worker218 Sabrina Qiong Yu 13 Ports of Entry: Mapping Chinese Cinema s MultipleTrajectories at International Film Festivals 239 Nikki J. Y. Lee and Julian Stringer Part III Genre and Representation 263 14 In Search of Chinese Film Style(s) and Technique(s) 265 James Udden 15 Film Genre and Chinese Cinema: A Discourse of Film and Nation284 Stephen Teo 16 Performing Documentation: Wu Wenguang and the PerformativeTurn of New Chinese Documentary 299 Qi Wang 17 Chinese Women s Cinema 318 Lingzhen Wang 18 From Urban Films to Urban Cinema: The Emergence of a CriticalConcept 346 Yomi Braester Part IV Arts and Media 359 19 The Intertwinement of Chinese Film and Literature: Choicesand Strategies in Adaptations 361 Liyan Qin 20 Diary of a Homecoming: (Dis-)Inhabiting the Theatrical inPostwar Shanghai Cinema 377 Weihong Bao 21 Cinema and the Visual Arts of China 400 Jerome Silbergeld 22 From Mountain Songs to Silvery Moonlight: Some Notes on Musicin Chinese Cinema 417 Jerome Silbergeld 23 Cross-Fertilization in Chinese Cinema and Television: AStrategic Turn in Cultural Policy 429 Ying Zhu and Bruce Robinson 24 Chinese Cinema and Technology 449 Gary G. Xu Part V Issues and Debates 467 25 Chinese Film Scholarship in Chinese 469 Chen Xihe 26 Chinese Film Scholarship in English 484 Chris Berry 27 The Return of the Repressed: Masculinity and SexualityReconsidered 499 Shuqin Cui 28 Homosexuality and Queer Aesthetics 518 Helen Hok-Sze Leung 29 Alter-centering Chinese Cinema: The Diasporic Formation535 Yiman Wang 30 The Absent American: Figuring the United States in ChineseCinema of the Reform Era 552 Michael Berry Bibliography 575 Filmography 628 Index 655
Note 400 annual accesses. UkHlHU
Alt author Zhang, Yingjin.
ISBN 9781444355963 (e-book)
9781444330298 (hbk.)

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