| Descript |
1 online resource (xiii, 220 pages) : illustrations |
| Content |
text txt |
| Media |
computer c |
| Carrier |
online resource cr |
| Contents |
<P>List of Figures; Preface; Acknowledgments; Introduction; 1. Italian Neorealism and the Emergence of the Male Melodrama: Vittorio De Sica'sBicycle Thieves (1948) and Umberto D. (1952); 2. The Migration of Male Melodrama into Non-Western Cultures: Satyajit Ray's The Apu Trilogy (1955-59) and "Fourth Cinema" ; 3. Hollywood Melodrama as a Vehicle for Self-Projection: Vincente Minnelli's Tea and Sympathy (1956) and Home from the Hill (1960); 4. The Political Turns Personal: Neo-Neorealism and Pier Paolo Pasolini's Accattone(1961); 5. Personal Cinema as Psychodrama: Ingmar Bergman's Wild Strawberries (1957), Winter Light (1963) and Hour of the Wolf (1968); 6. François Truffaut and the Tyranny of Romantic Obsession: The Soft Skin (1964), Mississippi Mermaid (1969) and The Woman Next Door (1981); 7. Figuring an Authorial Fantasmatic: Jacques Demy's The Umbrellas of Cherbourg (1964), A Room In Town (1982) and Parking (1985); 8. Rainer Werner Fassbinder and the Emergence of Queer Cinema: The Merchant of Four Seasons (1972), Fox and His Friends (1975) and In a Year with 13 Moons (1978); 9. Visual Aestheticism and the Queer Prestige Melodrama: Call Me by Your Name (2017) and Luca Guadagnino's Desire Trilogy; Conclusion; List of Films Cited; Select Bibliography; Index</p> |
| ISBN |
9781839984082 (electronic bk.) |
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1839984082 (electronic bk.) |
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1839984074 |
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9781839984075 |
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1839984090 |
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9781839984099 (electronic bk.) |
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