LEADER 00000cam 2200697Ia 4500
001 ocn707091264
005 20140115122523.3
006 m o d
007 cr cnu---unuuu
008 110314s2010 cc af ob 001 0 eng d
020 9789882205246|q(e-book)
020 9882205240|q(e-book)
020 |z9789622090972|q(hbk.)
020 |z9622090974|q(hbk.)
020 |z9789622090989|q(pbk.)
020 |z9622090982|q(pbk.)
024 8 9786612750229
040 N$T|beng|cN$T|dCDX|dMERUC|dEBLCP|dYDXCP|dOCLCQ|dE7B|dOCLCE
|dOCLCQ|dIUL|dOCLCQ|dJSTOR|dP@U|dOCLCF
049 HULL
050 4 NC1766.J3|bH8 2010eb
082 04 791.43340952|222
100 1 Hu, Tze-yue G.
245 10 Frames of anime|h[electronic resource] :|bculture and
image-building /|cTze-yue G. Hu.
260 Hong Kong :|bHong Kong University Press,|cc2010.
300 1 online resource (xiii, 228 p. [12] p. of plates) :|bill.
(some col.)
505 0 Origins of the Japanese art of animating -- Continuity of
art forms and their visualness -- Cultural thought,
expressing the self, and image-building -- Development of
Japanese animation up to the end of the Second World War -
- Postwar Japanese animation development and Toei
Animation Studio -- Miyazaki and Takahata Anime Cinema --
Anime in Asia: a case of cultural imperialism?
506 1 Unlimited number of concurrent users.|5UkHlHU
650 0 Animated films|zJapan|xHistory.
650 0 Motion pictures, Japanese|zAsia|xHistory.
650 0 Culture in motion pictures.
651 0 Asia|xCivilization|xJapanese influences.
856 40 |3JSTOR|uhttps://www.jstor.org/stable/10.2307/j.ctt1xw9xb
|zGo to ebook
936 JSTOR-E-2013/14
