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001 ocn798613279
003 OCoLC
005 20201218095637.6
006 m o d
007 cr cn|||||||||
008 111208s2012 ncuag fob 001 0 eng d
020 9780822393917|q(electronic bk.)
020 0822393913|q(electronic bk.)
020 |z9780822349273|q(cloth ;|qalk. paper)
020 |z0822349272|q(cloth ;|qalk. paper)
020 |z9780822349464|q(pbk. ;|qalk. paper)
020 |z0822349469|q(pbk. ;|qalk. paper)
024 8 9786613721075
035 (OCoLC)798613279|z(OCoLC)796999432|z(OCoLC)815457509
|z(OCoLC)1045293182|z(OCoLC)1078856765|z(OCoLC)1086432673
|z(OCoLC)1139372133|z(OCoLC)1167471446
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049 MAIN
050 4 ML3917.U6|bM89 2012eb
082 04 781.4/9|223
245 00 Music, sound, and technology in America :|ba documentary
history of early phonograph, cinema, and radio /|cedited
by Timothy D. Taylor, Mark Katz, and Tony Grajeda.
260 Durham, N.C. :|bDuke University Press,|c2012.
300 1 online resource (410 pages) :|billustrations, music
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 00 |tGeneral Introduction: Music Technologies in Everyday
Life /|rTimothy D. Taylor --|gPart I.|tSound Recording --
|tIntroduction /|rMark Katz --|tSound Recording: Readings
--|tPredictions --|tThe Listener and the Phonograph --
|tLearning to Listen --|tThe Phonograph in Everyday Life -
-|tThe Phonograph and Music Appreciation --|tMen, Women,
and Phonographs --|tMusic and the Great War --|tPerformers
and the Phonograph --|tIn the Recording Studio --|tThe
Phonograph and Music Pedagogy --|tThe Phonograph and the
Composer --|tThe Composer in the Machine Age --|tThe
Phonograph as a Compositional Tool --|tPhonograph Debates
--|tCon --|tPro.
505 80 |gPart II.|tCinema --|tIntroduction /|rTony Grajeda --
|tCinema: Readings --|tTechnologies of Sight and Sound --
|tSounds of the Cinema: Illustrated Song Slides --|tThe
Role of the Voice (lecturers, actors) --|tIncidental
Musics, Special Effects, Ballyhoo, and Noise of the
Audience --|tPlaying to the Pictures --|tPerformative
Accompaniment --|tThe Organist of the Picture Palace --
|tConducting and Scoring to the Movies --|tTaste, Culture,
and Educating the Public --|tResponding to the Talkies.
505 80 |gPart III.|tRadio --|tIntroduction /|rTimothy D. Taylor -
-|tRadio: Readings --|tRadio as Dream, Radio as Technology
--|tEarly Broadcasts: Performer and Listener Impressions -
-|tRadio in Everyday Life --|tHealing --|tEconomics of
Radio Broadcasting --|tAdvertising --|tMusic on the Radio
--|tCon --|tPro --|tWhat Do Listeners Want? --|tCrooning -
-|tRadio behind the Scenes --|tGetting on the Air --
|tTalent --|tProduction behind the Scenes --|tComposing
for the Radio --|tHow to Listen to Music on the Radio --
|tNotes --|tReferences --|tIndex.
650 0 Popular music|xSocial aspects|zUnited States|y20th
century.
650 0 Popular culture|zUnited States|xHistory|y20th century.
650 0 Phonograph|zUnited States|xHistory|y20th century.
650 0 Radio broadcasting|zUnited States|xHistory|y20th century.
650 0 Motion picture music|zUnited States|xHistory|y20th
century.
650 0 Mass media|xTechnological innovations|zUnited States
|xHistory|y20th century.
700 1 Taylor, Timothy Dean.
700 1 Katz, Mark,|d1970-
700 1 Grajeda, Tony,|d1960-
776 08 |iPrint version:|tMusic, sound, and technology in America.
|dDurham, N.C. : Duke University Press, 2012
|z9780822349273|z0822349272|w(DLC) 2011038524
|w(OCoLC)768569729
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctv11312pz
921 .
936 JSTOR-D-2020/21
