LEADER 00000cam 2200745Ii 4500
001 on1020285709
003 OCoLC
005 20191129052245.7
006 m o d
007 cr cnu---unuuu
008 180124s2018 enk ob 001 0 eng d
020 9781787441835|q(electronic bk.)
020 1787441830|q(electronic bk.)
035 (OCoLC)1020285709|z(OCoLC)1020622609|z(OCoLC)1020875915
|z(OCoLC)1112674058
040 N$T|beng|erda|epn|cN$T|dYDX|dN$T|dJSTOR|dOCLCF|dEBLCP|dIDB
|dWAU|dOCLCQ|dEZ9|dVLB|dUKMGB|dCAMBR
049 MAIN
050 4 ML410.H61
082 04 780|223
100 1 Desbruslais, Simon,
245 14 The music and music theory of Paul Hindemith /|cSimon
Desbruslais.
264 1 Woodbridge (Suffolk, England) :|bThe Boydell Press,|c2018.
264 4 |c©2018
300 1 online resource
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 0 Frontcover; Contents; List of Figures; List of Tables;
List of Abbreviations; Preface; Acknowledgements;
Introduction; 1 An Unterweisung Critical Commentary; 2
Hindemith's Fourths; 3 Stylistic Borrowing and Pre-
Unterweisung Music; 4 The Ludus Tonalis as Quintessential
Hindemith; 5 Theory-based Revisions; 6 Practical Music and
Practical Textbooks; 7 The Hindemith Legacy; Postlude;
Bibliography; Index.
506 1 Unlimited number of concurrent users.|5UkHlHU
600 10 Hindemith, Paul,|d1895-1963
650 0 Composers|zGermany.
650 0 Music theory|y20th century.
776 1 |iPrint version:|z9781783272105
776 1 |iPrint version:|z1783272104
856 40 |uhttps://www.jstor.org/stable/10.7722/j.ctt1wx92x8
921 .
936 JSTOR-D-2019/20
