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001 ocn870646750
003 OCoLC
005 20160511074954.5
006 m o d
007 cr cnu---unuuu
008 140217t20142014mau ob 001 0 eng d
020 9780262321334|q(electronic bk.)
020 0262321335|q(electronic bk.)
035 (OCoLC)870646750
040 N$T|beng|erda|epn|cN$T|dYDXCP|dE7B|dB24X7|dJSTOR|dCAUOI
|dCOO|dCUS|dOCLCQ|dEBLCP
049 MAIN
050 4 MT64.V53|bP45 2014eb
082 04 781.5/4|223
100 1 Phillips, Winifred,|eauthor.
245 12 A composer's guide to game music /|cby Winifred Phillips.
264 1 Cambridge, Massachusetts :|bThe MIT Press,|c[2014]
264 4 |c©2014
300 1 online resource.
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 0 Why would you want to write music for games? -- A
composer's creative skillset -- Immersion -- The
importance of themes -- Music genres and game genres --
Roles and functions of music in games -- Preparation and
workflow -- The development team -- Music needs of the
game -- Linear music in games -- Interactive music in
games -- Interactive music in games -- A game composer's
technical skillset -- Acting like a business and finding
work.
506 1 Unlimited number of concurrent users.|5UkHlHU
650 0 Video game music|xInstruction and study.
650 0 Computer game music|xInstruction and study.
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctt9qf710|zGo to
ebook
936 JSTOR-D-2016/17
