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Author Smith, Jeff.
Title Film criticism, the Cold War, and the blacklist : reading the Hollywood Reds.
Publication Info Berkeley : University of California Press, 2014.


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Descript 1 online resource (365 pages)
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Contents Cover; FILM CRITICISM, THE COLD WAR, AND THE BLACKLIST; Title; Copyright; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction: What More Can Be Said about the Hollywood Blacklist?; 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory; 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs; 3. Reds and Blacks: Representing Race in Anti-Communist Films; 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer.
5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War; 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory; Conclusion: Old Wounds and the Texas Sharpshooter; Notes; Bibliography; Index.
Note Unlimited number of concurrent users. UkHlHU
ISBN 9780520958517 (electronic bk.)
0520958519 (electronic bk.)
1306565855 (electronic bk.)
9781306565851 (electronic bk.)
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Author Smith, Jeff.
Subject Motion pictures -- Political aspects -- United States.
Motion pictures -- United States -- History -- 20th century.
Cold War in motion pictures.
Communism and motion pictures -- United States.
Blacklisting of entertainers -- United States -- History -- 20th century.
Descript 1 online resource (365 pages)
Content text txt
Media computer c
Carrier online resource cr
Contents Cover; FILM CRITICISM, THE COLD WAR, AND THE BLACKLIST; Title; Copyright; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction: What More Can Be Said about the Hollywood Blacklist?; 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory; 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs; 3. Reds and Blacks: Representing Race in Anti-Communist Films; 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer.
5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War; 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory; Conclusion: Old Wounds and the Texas Sharpshooter; Notes; Bibliography; Index.
Note Unlimited number of concurrent users. UkHlHU
ISBN 9780520958517 (electronic bk.)
0520958519 (electronic bk.)
1306565855 (electronic bk.)
9781306565851 (electronic bk.)
Author Smith, Jeff.
Subject Motion pictures -- Political aspects -- United States.
Motion pictures -- United States -- History -- 20th century.
Cold War in motion pictures.
Communism and motion pictures -- United States.
Blacklisting of entertainers -- United States -- History -- 20th century.

Subject Motion pictures -- Political aspects -- United States.
Motion pictures -- United States -- History -- 20th century.
Cold War in motion pictures.
Communism and motion pictures -- United States.
Blacklisting of entertainers -- United States -- History -- 20th century.
Descript 1 online resource (365 pages)
Content text txt
Media computer c
Carrier online resource cr
Contents Cover; FILM CRITICISM, THE COLD WAR, AND THE BLACKLIST; Title; Copyright; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction: What More Can Be Said about the Hollywood Blacklist?; 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory; 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs; 3. Reds and Blacks: Representing Race in Anti-Communist Films; 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer.
5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War; 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory; Conclusion: Old Wounds and the Texas Sharpshooter; Notes; Bibliography; Index.
Note Unlimited number of concurrent users. UkHlHU
ISBN 9780520958517 (electronic bk.)
0520958519 (electronic bk.)
1306565855 (electronic bk.)
9781306565851 (electronic bk.)
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