Subject |
Motion pictures -- Italy -- History -- 20th century.
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Descript |
xiii, 249 p. : ill. |
Contents |
Sergio Rigoletto and Louis Bayman: The fair and the museum: framing the popular -- Christopher Wagstaff: Italian cinema, popular? -- Rosalind Galt: The prettiness of Italian cinema -- Richard Dyer: The pervasiveness of song in Italian cinema -- Louis Bayman: Melodrama as seriousness -- Tamao Nakahara: Moving masculinity: incest narratives in Italian sex comedies -- Sergio Rigoletto: Laughter in Lina Wertmüller's The seduction of Mimì -- Alex Marlow-Mann: Strategies of tension: towards a re-interpretation of Enzo G. Castellari's The big racket and the Italian crime film -- Irene Lottini: "Il delirio del lungo metraggio: cinema as mass phenomenon in early twentieth tentury Italian cinema -- Reka Buckley: Dressing the part: "made in Italy" goes to the movies with Lucia Bosé in Chronicle of a love affair -- Daniel O'Brien: Hercules versus Hercules: variation and continuation in two generations of heroic masculinity -- Alan O'Leary: On the complexity of cinepanettone -- Francesca Piredda: Cinema and popular preaching: the Italian missionary film and fiamme -- Mark Goodall: The Italian mondo documentary film. |
Note |
200 annual accesses. UkHlHU |
Alt author |
Bayman, Louis.
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|
Rigoletto, Sergio, 1977-
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ISBN |
9781137305657 (e-book) |
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