LEADER 00000cam 2200913 i 4500 001 ocn833574032 003 OCoLC 005 20180511072457.9 006 m o d 007 cr |n||||||||| 008 130329s2013 caua obq s001 0 eng c 020 0520954491|q(e-book) 020 9780520954496|q(e-book) 035 (OCoLC)833574032|z(OCoLC)867121990|z(OCoLC)961639089 |z(OCoLC)962652512|z(OCoLC)966254462|z(OCoLC)988497893 |z(OCoLC)992114081 040 YDXCP|beng|erda|epn|cYDXCP|dEBLCP|dOCLCO|dN$T|dMHW|dCUS |dIDEBK|dE7B|dCDX|dJSTOR|dTEFOD|dIUL|dOCLCO|dOCLCQ|dDEBSZ |dTOH|dP@U|dLIV|dTEFOD|dOCLCQ|dCOO|dOCLCO|dOCLCQ|dOCLCO |dTEFOD|dAZK|dLOA|dJBG|dAGLDB|dMOR|dCCO|dPIFPO|dMERUC |dOCLCQ|dZCU|dIOG|dU3W|dBUF|dEZ9 049 MAIN 050 4 PN1995.9.T43|bB46 2013 082 04 791.43/656|223 100 1 Benson-Allott, Caetlin Anne. 245 10 Killer tapes and shattered screens :|bvideo spectatorship from VHS to file sharing /|cCaetlin Benson-Allott. 264 1 Berkeley :|bUniversity of California Press,|c2013. 300 1 online resource (xiii, 297 pages) :|billustrations 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 505 0 Introduction: opening up to home video -- Distributing The dead: George A. Romero and the evolution of the video spectator -- Addressing the "new flesh": videodrome's format war -- Reprotechnophobia: putting an end to analog abjection with the ring -- Going, going, grindhouse: simulacral cinematicity and post-cinematic spectatorship - - Paranormal spectatorship: faux footage horror and the P2P spectator -- Conclusion: power play. 506 1 Unlimited number of concurrent users.|5UkHlHU 650 0 Technology in motion pictures. 650 0 Cinematography|xTechnological innovations. 650 0 Horror films|xHistory and criticism. 650 0 Motion picture audiences. 650 0 Video recordings|xProduction and direction|xData processing. 650 0 Digital video|xProduction and direction|xData processing. 650 0 Video recordings industry. 856 40 |uhttps://www.jstor.org/stable/10.1525/j.ctt2jcbt9|zGo to eBook 936 JSTOR-D-2016/17