Start Over Please hold this item Export MARC Display Return To Browse
 
     
Limit search to available items
Record: Previous Record Next Record
Author Britton, John.
Title Encountering ensemble / by John Britton.
Publication Info London : Methuen Drama, 2013.


Click on the following to:
Go to ebook
Persistent link to this item
Click link and copy URL from browser navigation toolbar

Descript 224 pages
Contents Part One : Introduction; John Britton; Chapter 1: Bryan Brown : The Emergence of Studiinost: the ethics and processes of ensemble in the Russian theatre studio ; Chapter 2: Amy Skinner : More than the Sum of their Parts: Reflections on Vsevolod Meyerhold's Theatrical Ensemble; Chapter 3: Franc Chamberlain: Michael Chekhov's Ensemble Feeling; Chapter 4: Jonathan Pitches: Star or Team? Theodore Komisarjevsky's early developments in ensemble playing in the UK ; Chapter 5: Mark Evans: The French Ensemble Tradition: Jacques Copeau, Michel Saint-Denis and Jacques Lecoq; Chapter 6: David Barnett: The Berliner Ensemble . PartTwo: Snapshot # 1: Chris Johnstone: Ensemble; Snapshot # 2: Michael Boyd ( Introduced by Duska Radosavljevic ) : The RSC Ensemble; Chapter 7: Adam J. Ledger : Stan's Cafe: the Vision of the Ensemble ; Snapshot # 3: Peter Harrop & Evelyn Jamieson: Collaboration, ensemble, devising; Snapshot # 4: Paul Carr & Richard J. Hand: Ensemble/Improvisation; Drama/Music: An Experiment in Interdisciplinarity ; Chapter 8: Bryan Brown: As important as blood and shelter: extending studiinost into obshchnost; Snapshot # 5: Julia Varley: Ensembles, groups, networks; Snapshot # 6: Malgorzata Jablonska : Teatr CHOREA: Synchrony in Action; Snapshot # 7: Anna Porubcansky: Song of the Goat Theatre (Teatr Piesn Kozla) ; Chapter 9: Rebecca Loukes: Towards a Syncretic Ensemble? RedCape Theatre's 'The Idiot Colony'; Snapshot # 8: Mark Valdez : Network of Ensemble Theaters; Chapter 10: Brad Krumholz : Locating the Ensemble: NACL Theatre and the Ethics of Collaboration; Chapter 11: Paz Hilfinger-Pardo : Building Chartres in the Desert: The TEAM, Collective Intelligence, and the Failure of Ideals ; Chapter 12: John Collins: Elevator Repair Service and The Wooster Group: Ensembles Surviving Themselves ; Chapter 13: Marianne Sharp: 'Whose Fantasy?' Five Voices on Rachel Rosenthal's TOHUBOHU! Extreme Theater Ensemble ; Snapshot # 9: Kate Hunter: The Waiting Room: Practicing Embodied Cognition in Performance; Snapshot # 10: Frank Camilleri: Ingemar Lindh and the Institutet for Scenkonst . Part Three : John Britton : Introduction ; Chapter 14: John Britton : Self-With-Others: Training individuals ensemble; Snapshot # 11: Eilon Morris: Collaborating in Time : The formation of ensemble through rhythm; Snapshot # 12: Tanya Gerstle : Delicate Codes and Invisible Lines. 'Pulse': An Approach to Training an Ensemble; Chapter 15: Phillip Zarrilli: Psychophysical Training and the formation of an Ensemble ; Snapshot # 13: Antje Diedrich : Suzuki Training as Ensemble Training; Snapshot # 14: Terence Henry Chapman: Ensemble Training and Meyerhold's Biomechanics; Snapshot # 15: Chris Johnstone: Narrative Images; Chapter 16: Susan Thompson : Freedom and Constraints: Jacques Lecoq and the Theater of Ensemble Creation ; Snapshot # 16: Bryan Brown : Birthdays Make the Best Training ; Snapshot # 17: Patrick Stewart : Where I'll Be On Armageddon; John Britton : Afterword: What is it?
Note 400 annual accesses. UkHlHU
ISBN 9781408155189 (e-book)
9781408152003 (pbk.)
 Click on the terms below to find similar items in the catalogue
Author Britton, John.
Series Performance books
Performance books.
Subject Ensemble theater -- Case studies.
Descript 224 pages
Contents Part One : Introduction; John Britton; Chapter 1: Bryan Brown : The Emergence of Studiinost: the ethics and processes of ensemble in the Russian theatre studio ; Chapter 2: Amy Skinner : More than the Sum of their Parts: Reflections on Vsevolod Meyerhold's Theatrical Ensemble; Chapter 3: Franc Chamberlain: Michael Chekhov's Ensemble Feeling; Chapter 4: Jonathan Pitches: Star or Team? Theodore Komisarjevsky's early developments in ensemble playing in the UK ; Chapter 5: Mark Evans: The French Ensemble Tradition: Jacques Copeau, Michel Saint-Denis and Jacques Lecoq; Chapter 6: David Barnett: The Berliner Ensemble . PartTwo: Snapshot # 1: Chris Johnstone: Ensemble; Snapshot # 2: Michael Boyd ( Introduced by Duska Radosavljevic ) : The RSC Ensemble; Chapter 7: Adam J. Ledger : Stan's Cafe: the Vision of the Ensemble ; Snapshot # 3: Peter Harrop & Evelyn Jamieson: Collaboration, ensemble, devising; Snapshot # 4: Paul Carr & Richard J. Hand: Ensemble/Improvisation; Drama/Music: An Experiment in Interdisciplinarity ; Chapter 8: Bryan Brown: As important as blood and shelter: extending studiinost into obshchnost; Snapshot # 5: Julia Varley: Ensembles, groups, networks; Snapshot # 6: Malgorzata Jablonska : Teatr CHOREA: Synchrony in Action; Snapshot # 7: Anna Porubcansky: Song of the Goat Theatre (Teatr Piesn Kozla) ; Chapter 9: Rebecca Loukes: Towards a Syncretic Ensemble? RedCape Theatre's 'The Idiot Colony'; Snapshot # 8: Mark Valdez : Network of Ensemble Theaters; Chapter 10: Brad Krumholz : Locating the Ensemble: NACL Theatre and the Ethics of Collaboration; Chapter 11: Paz Hilfinger-Pardo : Building Chartres in the Desert: The TEAM, Collective Intelligence, and the Failure of Ideals ; Chapter 12: John Collins: Elevator Repair Service and The Wooster Group: Ensembles Surviving Themselves ; Chapter 13: Marianne Sharp: 'Whose Fantasy?' Five Voices on Rachel Rosenthal's TOHUBOHU! Extreme Theater Ensemble ; Snapshot # 9: Kate Hunter: The Waiting Room: Practicing Embodied Cognition in Performance; Snapshot # 10: Frank Camilleri: Ingemar Lindh and the Institutet for Scenkonst . Part Three : John Britton : Introduction ; Chapter 14: John Britton : Self-With-Others: Training individuals ensemble; Snapshot # 11: Eilon Morris: Collaborating in Time : The formation of ensemble through rhythm; Snapshot # 12: Tanya Gerstle : Delicate Codes and Invisible Lines. 'Pulse': An Approach to Training an Ensemble; Chapter 15: Phillip Zarrilli: Psychophysical Training and the formation of an Ensemble ; Snapshot # 13: Antje Diedrich : Suzuki Training as Ensemble Training; Snapshot # 14: Terence Henry Chapman: Ensemble Training and Meyerhold's Biomechanics; Snapshot # 15: Chris Johnstone: Narrative Images; Chapter 16: Susan Thompson : Freedom and Constraints: Jacques Lecoq and the Theater of Ensemble Creation ; Snapshot # 16: Bryan Brown : Birthdays Make the Best Training ; Snapshot # 17: Patrick Stewart : Where I'll Be On Armageddon; John Britton : Afterword: What is it?
Note 400 annual accesses. UkHlHU
ISBN 9781408155189 (e-book)
9781408152003 (pbk.)
Author Britton, John.
Series Performance books
Performance books.
Subject Ensemble theater -- Case studies.

Subject Ensemble theater -- Case studies.
Descript 224 pages
Contents Part One : Introduction; John Britton; Chapter 1: Bryan Brown : The Emergence of Studiinost: the ethics and processes of ensemble in the Russian theatre studio ; Chapter 2: Amy Skinner : More than the Sum of their Parts: Reflections on Vsevolod Meyerhold's Theatrical Ensemble; Chapter 3: Franc Chamberlain: Michael Chekhov's Ensemble Feeling; Chapter 4: Jonathan Pitches: Star or Team? Theodore Komisarjevsky's early developments in ensemble playing in the UK ; Chapter 5: Mark Evans: The French Ensemble Tradition: Jacques Copeau, Michel Saint-Denis and Jacques Lecoq; Chapter 6: David Barnett: The Berliner Ensemble . PartTwo: Snapshot # 1: Chris Johnstone: Ensemble; Snapshot # 2: Michael Boyd ( Introduced by Duska Radosavljevic ) : The RSC Ensemble; Chapter 7: Adam J. Ledger : Stan's Cafe: the Vision of the Ensemble ; Snapshot # 3: Peter Harrop & Evelyn Jamieson: Collaboration, ensemble, devising; Snapshot # 4: Paul Carr & Richard J. Hand: Ensemble/Improvisation; Drama/Music: An Experiment in Interdisciplinarity ; Chapter 8: Bryan Brown: As important as blood and shelter: extending studiinost into obshchnost; Snapshot # 5: Julia Varley: Ensembles, groups, networks; Snapshot # 6: Malgorzata Jablonska : Teatr CHOREA: Synchrony in Action; Snapshot # 7: Anna Porubcansky: Song of the Goat Theatre (Teatr Piesn Kozla) ; Chapter 9: Rebecca Loukes: Towards a Syncretic Ensemble? RedCape Theatre's 'The Idiot Colony'; Snapshot # 8: Mark Valdez : Network of Ensemble Theaters; Chapter 10: Brad Krumholz : Locating the Ensemble: NACL Theatre and the Ethics of Collaboration; Chapter 11: Paz Hilfinger-Pardo : Building Chartres in the Desert: The TEAM, Collective Intelligence, and the Failure of Ideals ; Chapter 12: John Collins: Elevator Repair Service and The Wooster Group: Ensembles Surviving Themselves ; Chapter 13: Marianne Sharp: 'Whose Fantasy?' Five Voices on Rachel Rosenthal's TOHUBOHU! Extreme Theater Ensemble ; Snapshot # 9: Kate Hunter: The Waiting Room: Practicing Embodied Cognition in Performance; Snapshot # 10: Frank Camilleri: Ingemar Lindh and the Institutet for Scenkonst . Part Three : John Britton : Introduction ; Chapter 14: John Britton : Self-With-Others: Training individuals ensemble; Snapshot # 11: Eilon Morris: Collaborating in Time : The formation of ensemble through rhythm; Snapshot # 12: Tanya Gerstle : Delicate Codes and Invisible Lines. 'Pulse': An Approach to Training an Ensemble; Chapter 15: Phillip Zarrilli: Psychophysical Training and the formation of an Ensemble ; Snapshot # 13: Antje Diedrich : Suzuki Training as Ensemble Training; Snapshot # 14: Terence Henry Chapman: Ensemble Training and Meyerhold's Biomechanics; Snapshot # 15: Chris Johnstone: Narrative Images; Chapter 16: Susan Thompson : Freedom and Constraints: Jacques Lecoq and the Theater of Ensemble Creation ; Snapshot # 16: Bryan Brown : Birthdays Make the Best Training ; Snapshot # 17: Patrick Stewart : Where I'll Be On Armageddon; John Britton : Afterword: What is it?
Note 400 annual accesses. UkHlHU
ISBN 9781408155189 (e-book)
9781408152003 (pbk.)
Persistent link to this item
Click link and copy URL from browser navigation toolbar

Links and services for this item:

Persistent link to this item
Click link and copy URL from browser navigation toolbar