LEADER 00000cam a2200397 i 4500 001 06992975899014401631 003 UkLoRLUK 008 070822s2008 paua rb 001 0 eng 020 9780271032153|q(cloth ;|qalk. paper) 020 0271032154|q(cloth ;|qalk. paper) 035 (OCoLC)168716211 035 (OCoLC)ocn168716211 035 (UkMaJRU)992975899014401631 040 DLC|beng|cDLC|dYDXCP|dBAKER|dBTCTA|dUKM|dC#P|dBWX|dIXA |dCDX|dNPL|dDEBBG|dOCL|dOCLCQ|dA7U|dDEBSZ|dMIX|dBDX|dOCLCO |dOCLCF|dOCLCQ|dOCLCO|dOCLCQ|dS3O|dOCL|dUkHlHU|erda 049 |jCU|k06992975899014401631|lo 050 4 ND 526.8 C3 082 00 759.5/63209032|222 100 1 Cavazzini, Patrizia,|eauthor. 245 10 Painting as business in early seventeenth-century Rome / |cPatrizia Cavazzini. 264 1 University Park, Pennsylvania :|bPennsylvania State University Press,|c[2008] 264 4 |c©2008 300 xiv, 239 pages :|billustrations (some colour) ;|c27 cm 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 505 0 Artists and craftsmen -- Training -- The diffusion of painting -- The market. 520 1 "Painting as Business in Early Seventeenth-Century Rome offers a new perspective on the world of painting in Rome at the beginning of the Baroque from both an artistic and a socioeconomic point of view. Biased by the accounts of seventeenth-century biographers, who were often academic painters concerned about elevating the status of their profession, art historians have long believed that in Italy, and in Rome in particular, paintings were largely produced by major artists working on commission for the most important patrons of the time. Patrizia Cavazzini's extensive archival research reveals a substantially different situation."--Jacket. 650 0 Painters|zItaly|zRome|xHistory|y17th century. 650 0 Painting|zItaly|zRome|xMarketing|xHistory|y17th century.
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