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001    06992975899014401631 
003    UkLoRLUK 
008    070822s2008    paua    rb    001 0 eng   
020    9780271032153|q(cloth ;|qalk. paper) 
020    0271032154|q(cloth ;|qalk. paper) 
035    (OCoLC)168716211 
035    (OCoLC)ocn168716211 
035    (UkMaJRU)992975899014401631 
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050  4 ND 526.8 C3 
082 00 759.5/63209032|222 
100 1  Cavazzini, Patrizia,|eauthor. 
245 10 Painting as business in early seventeenth-century Rome /
       |cPatrizia Cavazzini. 
264  1 University Park, Pennsylvania :|bPennsylvania State 
       University Press,|c[2008] 
264  4 |c©2008 
300    xiv, 239 pages :|billustrations (some colour) ;|c27 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
505 0  Artists and craftsmen -- Training -- The diffusion of 
       painting -- The market. 
520 1  "Painting as Business in Early Seventeenth-Century Rome 
       offers a new perspective on the world of painting in Rome 
       at the beginning of the Baroque from both an artistic and 
       a socioeconomic point of view. Biased by the accounts of 
       seventeenth-century biographers, who were often academic 
       painters concerned about elevating the status of their 
       profession, art historians have long believed that in 
       Italy, and in Rome in particular, paintings were largely 
       produced by major artists working on commission for the 
       most important patrons of the time. Patrizia Cavazzini's 
       extensive archival research reveals a substantially 
       different situation."--Jacket. 
650  0 Painters|zItaly|zRome|xHistory|y17th century. 
650  0 Painting|zItaly|zRome|xMarketing|xHistory|y17th century. 
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