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008 140109s2014 stka fs 001|0|eng|d
020 9780748684038|q(e-book)
020 9780748684021|q(hbk.)
020 |z9780748684038|q(PDF ebook)
040 StDuBDS|beng|cStDuBDS|dStDuBDSZ|dUkPrAHLS
050 4 PN1995.9.E79
082 04 791.43658|223
245 04 The return of the epic film :|bgenre, aesthetics and
history in the twenty-first century /|cedited by Andrew
B.R. Elliot.
260 Edinburgh :|bEdinburgh University Press,|c[2014]
300 x, 224 pages :|billustrations (black and white)
505 0 Introduction: The Return of the Epic, Andrew B.R. Elliott;
Part I: Epics and Ancient History; Sir Ridley Scott and
the Rebirth of the Epic, Jeffrey Richards; The Decline and
Fall of the Roman Empire and America since the Second
World War: Some Cinematic Parallels, Kevin J. Harty;
There's Nothing So Wrong with a Hollywood Script that a
Bunch of Giant CGI Scorpions Can't Solve: Politics,
Computer Generated Images and Camp in the Critical
Reception of the Post-Gladiator Historical Epics: Mark
Jancovich; Popcorn and Circus: An Audience Expects, Robert
Stow; Part II: Epic Aesthetics and Genre; Colour in the
Epic Film: Alexander and Hero, Robert Burgoyne; Defining
the Epic: Medieval and Fantasy Epics, Paul Sturtevant;
Special Effects, Reality, and the New Epic, Andrew B.R.
Elliott; Part III: Epic Films and the Canon; Pass the
Ammunition: A Short Etymology of Blockbuster, Sheldon
Hall; Epic Stumbling Blocks, Saer Maty Ba; The Greatest
Epic of the 21st Century?, Deborah Bridge; Ramayana and
Sita in Films and Popular Media: The Repositioning of a
Globalised Version, Aarttee Kaul Dhar.
506 1 400 annual accesses.|5UkHlHU
650 0 Epic films|xHistory and criticism.
700 1 Elliot, Andrew B. R.
856 40 |uhttps://www.vlebooks.com/vleweb/product/
openreader?id=Hull&isbn=9780748684038|zGo to ebook
936 Askews-P-2016/17
