LEADER 00000cam  2200541Ma 4500 
001    ocn912012285 
003    OCoLC 
005    20190303125608.9 
006    m     o  d         
007    cr |||||||nn|n 
008    150204s2015    ilu     ob    001 0 eng d 
020    9780810131415|q(electronic bk.) 
020    0810131412|q(electronic bk.) 
020    |z9780810131408|q(cloth ;|qalk. paper) 
020    |z9780810131835|q(pbk. ;|qalk. paper) 
020    |z0810131404 
035    (OCoLC)912012285 
040    P@U|beng|epn|cP@U|dOCLCO|dYDXCP|dOCLCQ|dOCLCO|dOCLCF
       |dJSTOR|dEBLCP|dMERUC|dAU@|dOCLCQ 
049    MAIN 
050  4 PN2062|b.E54 2015 
082 04 792.02/8|223 
100 1  Enelow, Shonni. 
245 10 Method acting and its discontents :|bon American psycho-
       drama /|cShonni Enelow. 
260    Evanston, Illinois :|bNorthwestern University Press,
       |c2015. 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 00 |gPart One: Psycho-methods: "She's crazy" --
       |t"Pathological hypnotism," hysterical methods --|tThe 
       case of Suddenly last summer --|gPart Two: Political 
       methods: State servant --|tThe method and the means: James
       Baldwin at the Actors Studio --|tBlues and the Blacks: 
       acting at the close of humanism --|gPart Three: Methods 
       and scripts: "come on Alice, stop acting!" Scriptedness 
       and the radical method. 
506 1  Unlimited number of concurrent users.|5UkHlHU 
650  0 American drama|y20th century. 
650  0 Method acting|xPolitical aspects. 
650  0 Method acting|xPsychological aspects. 
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctv47w3zw 
921    . 
936    JSTOR-D-2018/19