| Subject |
Drama -- Chorus (Greek drama)
|
|
Greek drama (Tragedy) -- History and criticism.
|
| Descript |
1 online resource (441 pages) |
| Content |
text |
| Media |
computer |
| Carrier |
online resource |
| Contents |
The chorus in the middle / Renaud Gagne and Marianne Hopman -- Choral polyphony and the ritual functions of tragic songs / Claude Calame -- Chorus, conflict and closure in Aeschylus' Persians / Marianne Hopman -- Choral intertemporality in the Oresteia / Jonas Grethlein -- Choreography: the lyric voice of Sophoclean Tragedy / Simon Goldhill -- Conflicting identities in the Euripidean chorus / Laura A. Swift -- The choral plot of Euripides' Helen / Sheila Murnaghan -- Transcultural chorality: Iphigenia in Tauris and Athenian imperial economics in a polytheistic world / Barbara Kowalzig -- Maenadism as self-referential chorality in Euripides' Bacchae / Anton Bierl -- The Delian Maidens and their relevance to choral mimesis in classical drama / Gregory Nagy -- Choral persuasions in Plato's Laws / Lucia Prauscello -- The comic chorus and the demagogue / Jeffrey Henderson -- Dancing letters: the alphabetic Tragedy of Kallias / Renaud Gagne -- Choral dialectics: Holderlin and Hegel / Joshua Billings -- Enter and exit the chorus: dance in Britain 1880--1914 / Fiona Macintosh -- "The thorniest problem and the greatest opportunity": directors on directing the Greek chorus / Peter Meineck. |
| Alt author |
Gagne, Renaud, 1976-
|
|
Hopman, Marianne Govers, 1974-
|
| ISBN |
9781107033283 (hardback) |
|
9781107058170 (electronic bk.) |
|
