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Title The Routledge companion to sounding art / edited by Marcel Cobussen, Vincent Meelberg, and Barry Truax.
Publication Info Georgetown : Taylor and Francis, 2016.


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Descript 1 online resource (503 p.)
Note Description based upon print version of record.
Contents Cover -- Title -- Copyright -- Contents -- List of Illustrations -- Notes on Contributors -- General Introduction -- Part 1 Sounding Art -- Introduction -- 1 But Is It (Also) Music? -- 2 Defining Sound Art -- 3 Sound Leads Elsewhere -- 4 Dams, Weirs, and Damn Weird Ears: Post-Ergonal Sound -- 5 Sound Words and Sonic Fictions: Writing the Ephemeral -- 6 Field Recording Centered Composition Practices: Negotiating the "Out-there" with the "In-here" -- 7 Soundwalking, Sonification, and Activism -- Part 2 Acoustic Knowledge and Communication -- Introduction
8 Why I Make Music with Natural Sounds -- 9 > Image > Memory > Sound > Text > -- 10 Institutionalized Sound -- 11 Sonification and Music, Music and Sonification -- 12 String Theory: Denis Diderot's Philosophy of Sound and Everything -- 13 Music to the Eyes: Intersensoriality, Culture, and the Arts -- Part 3 Listening and Memory -- Introduction -- 14 That Passing Glance: Sounding Paths Between Memory and Familiarity -- 15 The Art and Science of Sensory Memory Walking -- 16 Postphenomenology: Sound Beyond Sound -- 17 Auditory Capital, Media Publics and the Sounding Arts -- 18 Sonic Subjectivities
19 Pieces of Music as Memory Capsules -- Part 4 Acoustic Spaces, Identities, and Communities -- Introduction -- 20 Acoustic Space, Community, and Virtual Soundscapes -- 21 Towards an Art of Impregnation -- 22 Restless Acoustics, Emergent Publics -- 23 Sounding Art Climate Change -- 24 Unsettling Performances, Soundwalks and Loudspeakers: Gender in Electroacoustic Music and Other Sounding Arts -- 25 Developing a Cognitive Heuristic Model of Sound Art -- Part 5 Sonic Histories -- Introduction -- 26 Whistling for the Hell of It -- 27 Shakespeare as Sound Artist
28 History, Archaeology, and De-anthropocentrism in Sound Art -- 29 Weimar Activism: Walter Benjamin's Work for Radio -- 30 Mapping Sounding Art: Affect, Place, Memory -- Part 6 Sound Technologies and Media -- Introduction -- 31 What Would Be a Digital Sound? -- 32 Algorithms, Affect, and Aesthetic Listening -- 33 Performance with Technology: Extending the Instrument-From Prosthetic to Aesthetic -- 34 Distributed Sounding Art: Practices in Distributing Sound -- 35 The Art of a New Technology: Early Synthesizer Sounds -- 36 The Privatization of Sound Space -- Name Index -- Subject Index.
Note 3 concurrent users. UkHlHU
ISBN 9781317672777
 Click on the terms below to find similar items in the catalogue
Subject Music -- Philosophy and aesthetics.
Sound (Philosophy)
Avant-garde (Music)
Sound -- Psychological aspects.
Alt author Cobussen, Marcel, 1962-
Meelberg, Vincent, 1970-
Truax, Barry.
Descript 1 online resource (503 p.)
Note Description based upon print version of record.
Contents Cover -- Title -- Copyright -- Contents -- List of Illustrations -- Notes on Contributors -- General Introduction -- Part 1 Sounding Art -- Introduction -- 1 But Is It (Also) Music? -- 2 Defining Sound Art -- 3 Sound Leads Elsewhere -- 4 Dams, Weirs, and Damn Weird Ears: Post-Ergonal Sound -- 5 Sound Words and Sonic Fictions: Writing the Ephemeral -- 6 Field Recording Centered Composition Practices: Negotiating the "Out-there" with the "In-here" -- 7 Soundwalking, Sonification, and Activism -- Part 2 Acoustic Knowledge and Communication -- Introduction
8 Why I Make Music with Natural Sounds -- 9 > Image > Memory > Sound > Text > -- 10 Institutionalized Sound -- 11 Sonification and Music, Music and Sonification -- 12 String Theory: Denis Diderot's Philosophy of Sound and Everything -- 13 Music to the Eyes: Intersensoriality, Culture, and the Arts -- Part 3 Listening and Memory -- Introduction -- 14 That Passing Glance: Sounding Paths Between Memory and Familiarity -- 15 The Art and Science of Sensory Memory Walking -- 16 Postphenomenology: Sound Beyond Sound -- 17 Auditory Capital, Media Publics and the Sounding Arts -- 18 Sonic Subjectivities
19 Pieces of Music as Memory Capsules -- Part 4 Acoustic Spaces, Identities, and Communities -- Introduction -- 20 Acoustic Space, Community, and Virtual Soundscapes -- 21 Towards an Art of Impregnation -- 22 Restless Acoustics, Emergent Publics -- 23 Sounding Art Climate Change -- 24 Unsettling Performances, Soundwalks and Loudspeakers: Gender in Electroacoustic Music and Other Sounding Arts -- 25 Developing a Cognitive Heuristic Model of Sound Art -- Part 5 Sonic Histories -- Introduction -- 26 Whistling for the Hell of It -- 27 Shakespeare as Sound Artist
28 History, Archaeology, and De-anthropocentrism in Sound Art -- 29 Weimar Activism: Walter Benjamin's Work for Radio -- 30 Mapping Sounding Art: Affect, Place, Memory -- Part 6 Sound Technologies and Media -- Introduction -- 31 What Would Be a Digital Sound? -- 32 Algorithms, Affect, and Aesthetic Listening -- 33 Performance with Technology: Extending the Instrument-From Prosthetic to Aesthetic -- 34 Distributed Sounding Art: Practices in Distributing Sound -- 35 The Art of a New Technology: Early Synthesizer Sounds -- 36 The Privatization of Sound Space -- Name Index -- Subject Index.
Note 3 concurrent users. UkHlHU
ISBN 9781317672777
Subject Music -- Philosophy and aesthetics.
Sound (Philosophy)
Avant-garde (Music)
Sound -- Psychological aspects.
Alt author Cobussen, Marcel, 1962-
Meelberg, Vincent, 1970-
Truax, Barry.

Subject Music -- Philosophy and aesthetics.
Sound (Philosophy)
Avant-garde (Music)
Sound -- Psychological aspects.
Descript 1 online resource (503 p.)
Note Description based upon print version of record.
Contents Cover -- Title -- Copyright -- Contents -- List of Illustrations -- Notes on Contributors -- General Introduction -- Part 1 Sounding Art -- Introduction -- 1 But Is It (Also) Music? -- 2 Defining Sound Art -- 3 Sound Leads Elsewhere -- 4 Dams, Weirs, and Damn Weird Ears: Post-Ergonal Sound -- 5 Sound Words and Sonic Fictions: Writing the Ephemeral -- 6 Field Recording Centered Composition Practices: Negotiating the "Out-there" with the "In-here" -- 7 Soundwalking, Sonification, and Activism -- Part 2 Acoustic Knowledge and Communication -- Introduction
8 Why I Make Music with Natural Sounds -- 9 > Image > Memory > Sound > Text > -- 10 Institutionalized Sound -- 11 Sonification and Music, Music and Sonification -- 12 String Theory: Denis Diderot's Philosophy of Sound and Everything -- 13 Music to the Eyes: Intersensoriality, Culture, and the Arts -- Part 3 Listening and Memory -- Introduction -- 14 That Passing Glance: Sounding Paths Between Memory and Familiarity -- 15 The Art and Science of Sensory Memory Walking -- 16 Postphenomenology: Sound Beyond Sound -- 17 Auditory Capital, Media Publics and the Sounding Arts -- 18 Sonic Subjectivities
19 Pieces of Music as Memory Capsules -- Part 4 Acoustic Spaces, Identities, and Communities -- Introduction -- 20 Acoustic Space, Community, and Virtual Soundscapes -- 21 Towards an Art of Impregnation -- 22 Restless Acoustics, Emergent Publics -- 23 Sounding Art Climate Change -- 24 Unsettling Performances, Soundwalks and Loudspeakers: Gender in Electroacoustic Music and Other Sounding Arts -- 25 Developing a Cognitive Heuristic Model of Sound Art -- Part 5 Sonic Histories -- Introduction -- 26 Whistling for the Hell of It -- 27 Shakespeare as Sound Artist
28 History, Archaeology, and De-anthropocentrism in Sound Art -- 29 Weimar Activism: Walter Benjamin's Work for Radio -- 30 Mapping Sounding Art: Affect, Place, Memory -- Part 6 Sound Technologies and Media -- Introduction -- 31 What Would Be a Digital Sound? -- 32 Algorithms, Affect, and Aesthetic Listening -- 33 Performance with Technology: Extending the Instrument-From Prosthetic to Aesthetic -- 34 Distributed Sounding Art: Practices in Distributing Sound -- 35 The Art of a New Technology: Early Synthesizer Sounds -- 36 The Privatization of Sound Space -- Name Index -- Subject Index.
Note 3 concurrent users. UkHlHU
Alt author Cobussen, Marcel, 1962-
Meelberg, Vincent, 1970-
Truax, Barry.
ISBN 9781317672777
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