LEADER 00000cam 2200757 i 4500
001 on1085493251
003 OCoLC
005 20211022041015.0
006 m o d
007 cr |||||||||||
008 190408s2019 inu ob s001 0 eng
020 9780253040428|q(web pdf)
020 0253040426
020 |z9780253040398|q(hdbk.)
020 |z9780253040404|q(pbk.)
020 9780253040411|q(electronic bk.)
020 0253040418|q(electronic bk.)
020 |z025304040X
035 (OCoLC)1085493251|z(OCoLC)1085781523|z(OCoLC)1086269063
|z(OCoLC)1086324315|z(OCoLC)1087856175
040 DLC|beng|erda|cDLC|dN$T|dYDX|dJSTOR|dEBLCP|dOCLCF|dUKAHL
|dRECBK|dMM9|dP@U|dDLC|dOCLCO
049 MAIN
050 10 PN1995.9.M86
082 00 791.43/6578|223
100 1 O'Brien, Charles,|d1955-|eauthor.
245 10 Movies, songs, and electric sound :|btransatlantic trends
/|cCharles O'Brien.
264 1 Bloomington, Indiana :|bIndiana University Press, Office
of Scholarly Publishing, Herman B Wells Library,|c[2019]
300 1 online resource
336 text|btxt|2rdacontent
337 computer|bn|2rdamedia
338 online resource|bnc|2rdacarrier
505 0 Movies and songs in transition -- Electric sound as new
medium -- Voices and bodies, direct and dubbed -- Film
editing after electric sound -- American films songs,
inside the films and out -- Musical films made in Germany
-- Conclusion : songs in cinema, from electric to digital.
650 0 Musical films|xHistory and criticism.
650 0 Motion pictures and music.
650 0 Motion picture music|xHistory and criticism.
776 08 |iPrint version:|aO'Brien, Charles, 1955- author.|tMovies,
songs, and electric sound|dBloomington, Indiana : Indiana
University Press, [2019]|z9780253040398|w(DLC) 2019012426
856 40 |uhttps://hull.idm.oclc.org/login?url=https://
www.jstor.org/stable/10.2307/j.ctvc77nbx
936 JSTOR-D-2021/22
