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003 OCoLC
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006 m o d
007 cr |n|||||||||
008 130207s2013 inua ob 001 0 eng d
020 0253006589|qelectronic bk.
020 9780253006585|qelectronic bk.
024 8 (YBP)9732573
035 (OCoLC)826997376|z(OCoLC)834350703|z(OCoLC)854968345
040 YDXCP|beng|epn|cYDXCP|dOCLCO|dE7B|dCDX|dN$T|dUMC|dIDEBK|dP
@U|dOCLCF|dOCLCQ|dOCLCO|dDEBSZ|dCOO|dOCLCQ|dOCLCO|dAU@
|dEBLCP|dOCLCO|dJSTOR|dOCLCO|dHEBIS|dOCLCO
049 MAIN
050 4 PN1995.9.H6|bO46 2013
082 04 791.43/6164|223
100 1 Olney, Ian,|eauthor.
245 10 Euro horror :|bclassic European horror cinema in
contemporary American culture /|cIan Olney.
260 Bloomington :|bIndiana University Press,|c2013.
300 1 online resource (xix, 257 pages :|billustrations
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
490 1 New Directions in National Cinemas
505 0 Toward a performative theory of Euro horror cinema.
Academic hot spots and blind spots: horror film studies
and Euro horror cinema -- Fast, cheap, and out of control:
the academic case against Euro horror cinema -- Playing
dead, take one: Euro horror film production -- Playing
dead, take two: Euro horror film reception -- Return of
the repressed: Euro horror cinema in contemporary American
culture -- Case studies in Euro horror cinema. Blood and
black lace: the Giallo film -- The whip and the body: the
S & M horror film -- Cannibal apocalypse: cannibal and
zombie films -- Conclusion: from the grindhouse to the
arthouse: the legacy of Euro horror cinema.
506 1 Unlimited number of concurrent users.|5UkHlHU
650 0 Horror films|zEurope|xHistory and criticism.
650 0 Motion picture audiences|zUnited States.
830 0 New directions in national cinemas.
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctt16gzjpz|zGo to
ebook
936 JSTOR-D-2016/17
