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Author Babbitt, Milton, 1916-2011.
Title The collected essays of Milton Babbitt.
Publication Info Princeton : Princeton University Press, 2011.


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Descript 1 online resource (532 pages)
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Contents Cover; Title; Copyright; Contents; Acknowledgments; Preface; The String Quartets of Bartók (1949); Review of Leibowitz, Schoenberg et son école (1950); Review of Le Système Dodécaphonique (1950); Review of Salzer, Structural Hearing (1952); Tintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartók) (1953); Musical America's Several Generations (1954); Some Aspects of Twelve-Tone Composition (1955); The Composer as Specialist (1958); Twelve-Tone Invariants as Compositional Determinants (1960); The Revolution in Sound: Electronic Music (1960).
Past and Present Concepts of the Nature and Limits of Music (1961)Set Structure as a Compositional Determinant (1961); Twelve-Tone Rhythmic Structure and the Electronic Medium (1962); Reply to George Perle's "Babbitt, Lewin, and Schoenberg: A Critique" (1963); Remarks on the Recent Stravinsky (1964); The Synthesis, Perception, and Specification of Musical Time (1964); An Introduction to the R.C.A. Synthesizer (1964); The Structure and Function of Musical Theory (1965); The Use of Computers in Musicological Research (1965); Edgard Varèse: A Few Observations of His Music (1966).
Three Essays on Schoenberg (1968)On Relata I (1970); Contribution to "The Composer in Academia: Reflections on a Theme of Stravinsky" (1970); Memorial for Mátyás Seiber (1970); Stravinsky Memorial (1971); Contemporary Music Composition and Musical Theory as Contemporary Intellectual History (1972); Memorial for Stefan Wolpe (1972); Since Schoenberg (1974); Celebrative Speech for the Schoenberg Centennial (1976); Responses: A First Approximation (1976); Introduction to Marion Bauer, Twentieth Century Music (1978); Foreword to David Epstein, Beyond Orpheus (1979); Memorial for Ben Weber (1979).
Memorial for Robert Miller (1981)The More than the Sounds of Music (1984); I Remember Roger (1985); "All the Things They Are": Comments on Kern (1985); Memorial for Hans Keller (1986); Stravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate (1987); On Having Been and Still Being an American Composer (1989); A Life of Learning (1991); Brave New Worlds (1994); My Vienna Triangle (1999); Index.
Note Unlimited number of concurrent users. UkHlHU
ISBN 9781400841226 (e-book)
1400841224 (e-book)
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Author Babbitt, Milton, 1916-2011.
Subject Music -- History and criticism.
Alt author Peles, Stephen.
Dembski, Stephen.
Mead, Andrew Washburn.
Straus, Joseph N. (Joseph Nathan)
Descript 1 online resource (532 pages)
Content text txt
Media computer c
Carrier online resource cr
Contents Cover; Title; Copyright; Contents; Acknowledgments; Preface; The String Quartets of Bartók (1949); Review of Leibowitz, Schoenberg et son école (1950); Review of Le Système Dodécaphonique (1950); Review of Salzer, Structural Hearing (1952); Tintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartók) (1953); Musical America's Several Generations (1954); Some Aspects of Twelve-Tone Composition (1955); The Composer as Specialist (1958); Twelve-Tone Invariants as Compositional Determinants (1960); The Revolution in Sound: Electronic Music (1960).
Past and Present Concepts of the Nature and Limits of Music (1961)Set Structure as a Compositional Determinant (1961); Twelve-Tone Rhythmic Structure and the Electronic Medium (1962); Reply to George Perle's "Babbitt, Lewin, and Schoenberg: A Critique" (1963); Remarks on the Recent Stravinsky (1964); The Synthesis, Perception, and Specification of Musical Time (1964); An Introduction to the R.C.A. Synthesizer (1964); The Structure and Function of Musical Theory (1965); The Use of Computers in Musicological Research (1965); Edgard Varèse: A Few Observations of His Music (1966).
Three Essays on Schoenberg (1968)On Relata I (1970); Contribution to "The Composer in Academia: Reflections on a Theme of Stravinsky" (1970); Memorial for Mátyás Seiber (1970); Stravinsky Memorial (1971); Contemporary Music Composition and Musical Theory as Contemporary Intellectual History (1972); Memorial for Stefan Wolpe (1972); Since Schoenberg (1974); Celebrative Speech for the Schoenberg Centennial (1976); Responses: A First Approximation (1976); Introduction to Marion Bauer, Twentieth Century Music (1978); Foreword to David Epstein, Beyond Orpheus (1979); Memorial for Ben Weber (1979).
Memorial for Robert Miller (1981)The More than the Sounds of Music (1984); I Remember Roger (1985); "All the Things They Are": Comments on Kern (1985); Memorial for Hans Keller (1986); Stravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate (1987); On Having Been and Still Being an American Composer (1989); A Life of Learning (1991); Brave New Worlds (1994); My Vienna Triangle (1999); Index.
Note Unlimited number of concurrent users. UkHlHU
ISBN 9781400841226 (e-book)
1400841224 (e-book)
Author Babbitt, Milton, 1916-2011.
Subject Music -- History and criticism.
Alt author Peles, Stephen.
Dembski, Stephen.
Mead, Andrew Washburn.
Straus, Joseph N. (Joseph Nathan)

Subject Music -- History and criticism.
Descript 1 online resource (532 pages)
Content text txt
Media computer c
Carrier online resource cr
Contents Cover; Title; Copyright; Contents; Acknowledgments; Preface; The String Quartets of Bartók (1949); Review of Leibowitz, Schoenberg et son école (1950); Review of Le Système Dodécaphonique (1950); Review of Salzer, Structural Hearing (1952); Tintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartók) (1953); Musical America's Several Generations (1954); Some Aspects of Twelve-Tone Composition (1955); The Composer as Specialist (1958); Twelve-Tone Invariants as Compositional Determinants (1960); The Revolution in Sound: Electronic Music (1960).
Past and Present Concepts of the Nature and Limits of Music (1961)Set Structure as a Compositional Determinant (1961); Twelve-Tone Rhythmic Structure and the Electronic Medium (1962); Reply to George Perle's "Babbitt, Lewin, and Schoenberg: A Critique" (1963); Remarks on the Recent Stravinsky (1964); The Synthesis, Perception, and Specification of Musical Time (1964); An Introduction to the R.C.A. Synthesizer (1964); The Structure and Function of Musical Theory (1965); The Use of Computers in Musicological Research (1965); Edgard Varèse: A Few Observations of His Music (1966).
Three Essays on Schoenberg (1968)On Relata I (1970); Contribution to "The Composer in Academia: Reflections on a Theme of Stravinsky" (1970); Memorial for Mátyás Seiber (1970); Stravinsky Memorial (1971); Contemporary Music Composition and Musical Theory as Contemporary Intellectual History (1972); Memorial for Stefan Wolpe (1972); Since Schoenberg (1974); Celebrative Speech for the Schoenberg Centennial (1976); Responses: A First Approximation (1976); Introduction to Marion Bauer, Twentieth Century Music (1978); Foreword to David Epstein, Beyond Orpheus (1979); Memorial for Ben Weber (1979).
Memorial for Robert Miller (1981)The More than the Sounds of Music (1984); I Remember Roger (1985); "All the Things They Are": Comments on Kern (1985); Memorial for Hans Keller (1986); Stravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate (1987); On Having Been and Still Being an American Composer (1989); A Life of Learning (1991); Brave New Worlds (1994); My Vienna Triangle (1999); Index.
Note Unlimited number of concurrent users. UkHlHU
Alt author Peles, Stephen.
Dembski, Stephen.
Mead, Andrew Washburn.
Straus, Joseph N. (Joseph Nathan)
ISBN 9781400841226 (e-book)
1400841224 (e-book)
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