Start Over Please hold this item Export MARC Display Return To Browse
 
     
Limit search to available items
Record: Previous Record Next Record
Title Shakespeare and the sense of performance : essays in the tradition of performance criticism in honor of Bernard Beckerman / edited by Marvin and Ruth Thompson.
Publication Info Newark : University of Delaware Press, 1989.


LOCATION SHELVED AT LOAN TYPE STATUS
 BJL 6th Floor  PR 3091 S5  8 WEEK LOAN  AVAILABLE
Persistent link to this item
Click link and copy URL from browser navigation toolbar

Descript 259p.
Contents Performance criticism: from Granville-Barker to Bernard Beckerman and beyond / Marvin and Ruth Thompson -- Hamlet and the audience: the dynamics of a relationship / Ralph Berry -- From narrative to dramatic language: The winter's tale and its source / Inga-Stina Ewbank -- The nature of speech in Shakespeare's plays / John Russell Brown -- Shakespeare and Beckett: what the words know / Homer Swander -- Subtext in Shakespeare / Marvin Rosenberg -- Performer and role in Marlowe and Shakespeare / Michael Goldman -- Egeus and implications of silence / Philip C. McGuire -- Asides, soliloquies, and offstage speech in Hamlet: implications for staging / Maurice Charney -- Much virtue in As: Elizabethan stage locales and modern interpretation / Alan C. Dessen -- Editing the staging/staging the editing / A.R. Braunmuller -- Stage images in Troilus and Cressida / R.A. Foakes -- The "state" of Shakespeare's audiences / Andrew Gurr -- Looking back to front: the view from the lord's room / Derek Peat -- Stage space and the Shakespeare experience / J.L. Styan -- Reflections arising from recent productions of Love's labour's lost and As you like it / Glynne Wickham -- Peter Quince directs Romeo and Juliet / Hugh M. Richmond -- "Balancing at work": (r)evoking the script in performance and criticism / Thomas Clayton -- Bernard Beckerman, 1921-1985: a memorial tribute / Ann Jennalie Cook.
ISBN 0874133327
 Click on the terms below to find similar items in the catalogue
Subject Shakespeare, William, 1564-1616 -- Dramatic production.
Shakespeare, William, 1564-1616 -- Stage history.
Alt author Beckerman, Bernard.
Thompson, Marvin.
Thompson, Ruth, 1927-
Descript 259p.
Contents Performance criticism: from Granville-Barker to Bernard Beckerman and beyond / Marvin and Ruth Thompson -- Hamlet and the audience: the dynamics of a relationship / Ralph Berry -- From narrative to dramatic language: The winter's tale and its source / Inga-Stina Ewbank -- The nature of speech in Shakespeare's plays / John Russell Brown -- Shakespeare and Beckett: what the words know / Homer Swander -- Subtext in Shakespeare / Marvin Rosenberg -- Performer and role in Marlowe and Shakespeare / Michael Goldman -- Egeus and implications of silence / Philip C. McGuire -- Asides, soliloquies, and offstage speech in Hamlet: implications for staging / Maurice Charney -- Much virtue in As: Elizabethan stage locales and modern interpretation / Alan C. Dessen -- Editing the staging/staging the editing / A.R. Braunmuller -- Stage images in Troilus and Cressida / R.A. Foakes -- The "state" of Shakespeare's audiences / Andrew Gurr -- Looking back to front: the view from the lord's room / Derek Peat -- Stage space and the Shakespeare experience / J.L. Styan -- Reflections arising from recent productions of Love's labour's lost and As you like it / Glynne Wickham -- Peter Quince directs Romeo and Juliet / Hugh M. Richmond -- "Balancing at work": (r)evoking the script in performance and criticism / Thomas Clayton -- Bernard Beckerman, 1921-1985: a memorial tribute / Ann Jennalie Cook.
ISBN 0874133327
Subject Shakespeare, William, 1564-1616 -- Dramatic production.
Shakespeare, William, 1564-1616 -- Stage history.
Alt author Beckerman, Bernard.
Thompson, Marvin.
Thompson, Ruth, 1927-
LOCATION SHELVED AT LOAN TYPE STATUS
 BJL 6th Floor  PR 3091 S5  8 WEEK LOAN  AVAILABLE

Subject Shakespeare, William, 1564-1616 -- Dramatic production.
Shakespeare, William, 1564-1616 -- Stage history.
Descript 259p.
Contents Performance criticism: from Granville-Barker to Bernard Beckerman and beyond / Marvin and Ruth Thompson -- Hamlet and the audience: the dynamics of a relationship / Ralph Berry -- From narrative to dramatic language: The winter's tale and its source / Inga-Stina Ewbank -- The nature of speech in Shakespeare's plays / John Russell Brown -- Shakespeare and Beckett: what the words know / Homer Swander -- Subtext in Shakespeare / Marvin Rosenberg -- Performer and role in Marlowe and Shakespeare / Michael Goldman -- Egeus and implications of silence / Philip C. McGuire -- Asides, soliloquies, and offstage speech in Hamlet: implications for staging / Maurice Charney -- Much virtue in As: Elizabethan stage locales and modern interpretation / Alan C. Dessen -- Editing the staging/staging the editing / A.R. Braunmuller -- Stage images in Troilus and Cressida / R.A. Foakes -- The "state" of Shakespeare's audiences / Andrew Gurr -- Looking back to front: the view from the lord's room / Derek Peat -- Stage space and the Shakespeare experience / J.L. Styan -- Reflections arising from recent productions of Love's labour's lost and As you like it / Glynne Wickham -- Peter Quince directs Romeo and Juliet / Hugh M. Richmond -- "Balancing at work": (r)evoking the script in performance and criticism / Thomas Clayton -- Bernard Beckerman, 1921-1985: a memorial tribute / Ann Jennalie Cook.
Alt author Beckerman, Bernard.
Thompson, Marvin.
Thompson, Ruth, 1927-
ISBN 0874133327
Persistent link to this item
Click link and copy URL from browser navigation toolbar

Links and services for this item:

Persistent link to this item
Click link and copy URL from browser navigation toolbar