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003 OCoLC
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006 m o d
007 cr cn|||||||||
008 141021t20142014nyu o 100 0 eng d
020 9781782044543|q(e-book)
020 178204454X|q(e-book)
020 |z9781571135995
035 (OCoLC)896835066|z(OCoLC)893332587
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049 MAIN
050 4 CB361|b.R466 2014eb
082 04 940.21|223
111 2 Southeastern Renaissance Conference|d(2013 :|cDuke
University),|jauthor.
111 2 Southeastern Renaissance Conference|d(2013 :|cDuke
University),|jauthor.
245 10 Renaissance papers 2013 /|ceditors, Jim Pearce and Joanna
Kucinski.
264 1 Rochester, New York :|bCamden House,|c[2014]
264 4 |c©2014
300 1 online resource (159 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 data file|2rda
505 0 Frontcover; Contents; George Herbert's Incarnational
Poetics; "What is there in three dice?": The Role of
Demons in the History of Probability; Allusion as Plunder:
Marlowe's, Hero and Leander, and Colluthus's Rape of
Helen; Authorial Feints and Affecting Forms in George
Gascoigne's The Adventures of Master F.J.; "A ... harlot
is true in nothing but in being false": Prostitute
Performances and Anti-Sprezzatura; The Speaker's Depth of
Character in Shakespeare's The Rape of Lucrece; Prefatory
Friendships: Florio's Montaigne and Material Technologies
of the Self.
505 8 The Comedy of Errors, Haecceity, and the Metaphysics of
Individuation"Cucullus non facit monachum": Hooded Words,
Tricky Speech, and Licentia, in Measure for Measure;
Reading Women: Chastity and Fictionality in Cymbeline;
King Arthur, Badon Hill, and Iconoclasm in Milton's
History of Britain.
650 0 Renaissance|vCongresses.
700 1 Pearce, Jim|c(Director of Graduate Studies),
700 1 Kucinski, Joanna J.,|d1976-
856 40 |uhttps://www.jstor.org/stable/10.7722/j.ctt9qdm3g
921 .
936 JSTOR-E-2019-20
