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1. <i>A Riot of Our Own: An Introduction to the Book</i><BR>Colin Coulter (Maynooth University, Ireland)<BR><i>Section One: No Elvis, Beatles or the Rolling Stones: The Clash, the Politics of Pop and the Neoliberal Conjuncture</i><BR>2. <i>Six Things I Love and/or Hate About The Clash</i><BR>David Hesmondhalgh (University of Leeds)<BR>3. <i>The Clash and Musical Artistry: Against The Corporate Voice.</i><BR>Caroline Coon (Artist, Writer, Manager of <i>The Clash</i> from 1978 to 1980).<BR>4. <i>The Clash, Revolution and the Dawn of Neoliberalism</i><BR>Jason Toynbee (Open University)<BR>5<i>. Rudie Can't Fail: The Clash as Pop Situationists</i><BR>Richard Barbrook (University of Westminster)<BR><i>Section Two: Back in the garage with my bullshit detector: The Clash and the Cultural Politics of Punk</i><BR>6. <i>Nothing matters: Punk as a response to nihilism</i><BR>Kieran Cashell (Limerick School of Art & Design)<BR>7. <i>'</i><i>Are you going backwards. Or are you going forwards?' -- England Past & England Future in 1970s Punk</i><BR>Ruth Adams (King's College London)<BR>8. <i>What if Keith Levene had never left The Clash? Punk and the Politics of Novelty</i><BR>Pete Dale (Manchester Metropolitan University)<BR>9.<i> The Clash: A teenage auto-ethnography</i><BR>Martin James (Southampton Solent University)<BR>10. <i>Still the Last Gang in Town? Identity politics, inherited fandom and authenticity among second wave fans of The Clash.</i><BR>Kathryn Reaney<i></i><BR><i>Section Three: It could be anywhere, Most likely could be any frontier, Any hemisphere: The Clash around the world</i><BR>11. <i>'Cashing in the bill of rights'??The Clash in New York, in myth and reality</i>Harry Browne (Dublin Institute of Technology)<BR>12. <i>The only band that matters: The night The Clash didn't play Belfast</i><BR>Colin Coulter (Maynooth University, Ireland)<BR>13. <i>The One Struggle: the music and politics of The Clash in an Australian context</i><BR>Alessandro Moliterno (The Australian National University)<BR>14. <i>Brigade Rosse: The Clash, Italian Punx and the Years of Lead</i><BR>Giacomo Bottà (University of Helsinki)<BR>15.<i> 'I Live by the River': Britishness, Englishness and The Clash</i><BR>Conrad Brunström (Maynooth University, Ireland)<BR>16. '<i>Stagger Lee's Come Out on Top': The Ballad of Stack Lee, from St. Louis to Jamaica to London</i><BR>Katherine Reed (Utah Valley University) |
| Note |
Unlimited number of concurrent users. UkHlHU |
| ISBN |
1526114224 (electronic book) |
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9781526114228 (electronic book) |
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9781526114235 (ePub ebook) |
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1526114232 |
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