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005 20190913044012.6
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007 cr cnu---unuuu
008 180424s2018 miu ob s001 0 eng
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020 |z9780472037094
020 |z0472130749
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040 DLC|beng|erda|epn|cDLC|dN$T|dEBLCP|dJSTOR|dP@U|dOCLCF|dYDX
|dOCLCO|dNRC|dUBY|dYDX|dOCLCQ|dNJR|dYDX|dOCLCO|dWAU|dMERER
|dWTU|dOCL|dOCLCQ|dTKN
049 MAIN
050 14 NX180.S6|bH3185 2018
082 00 700.1/030973|223
100 1 Harding, James Martin,|d1958-
245 10 Performance, transparency, and the cultures of
surveillance /|cJames M. Harding.
264 1 Ann Arbor :|bUniversity of Michigan Press,|c[2018]
300 1 online resource (ix, 311 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 0 Intro; Contents; Introduction. All Eyes to the Street:
Surveillance, Information Technologies, and the Space of
Brecht's "Street Scene"; God's Eyes: Chapter 1. Of Sheep,
Shepherds, and Oversight: Defrocking the Cultures of
Surveillance; Private Eyes: Chapter 2. Surveillance
Operatives: Activists, Undercover Agents, and the "New
Theater"; Blind Eyes: Chapter 3. This Private Island: The
Modern Ban-opticon from Camp X-Ray to Private Prisons;
Electronic Eyes: Chapter 4. Outperforming Activism:
Surveillance Technologies beyond the Surveillance Camera
Players
505 8 Downcast Eyes: Chapter 5. Data Doubles, Pepper's Ghost,
and Zombie Categories: The Specters of Performance in the
Bit Parts of Surveillance; An Eye for an Eye: Chapter 6.
Envisioning Performance Postdemocracy: Creative Activism,
(a Little Bit of) Damage, and Surveillance's Inevitable
Products; Notes; Index
506 1 Unlimited number of concurrent users.|5UkHlHU
650 0 Arts and society|zUnited States|xHistory|y21st century.
650 0 Electronic surveillance|xSocial aspects|zUnited States.
650 0 Democracy and the arts|zUnited States.
650 0 Technology and the arts.
856 40 |uhttps://www.jstor.org/stable/10.3998/mpub.9780711
921 .
936 JSTOR-D-2019/20
