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Author Baer, Hester, author.
Title Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language / Hester Baer.
Publication Info New York : Berghahn Books, c2009.


LOCATION SHELVED AT LOAN TYPE STATUS
 BJL 6th Floor  PN 1993.5 G3 B1  8 WEEK LOAN  AVAILABLE
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Descript xiii, 304 p. : ill. ; 24 cm.
Contents Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture.
ISBN 9781845456054 (hbk.)
184545605X (hbk.)
9780857456175 (pbk.)
 Click on the terms below to find similar items in the catalogue
Author Baer, Hester, author.
Series Film Europa ; v. 9
Subject Motion pictures -- Germany -- History -- 20th century.
Motion pictures -- Social aspects -- Germany.
Motion pictures for women -- Germany.
Motion picture audiences -- Germany.
Women in motion pictures.
Descript xiii, 304 p. : ill. ; 24 cm.
Contents Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture.
ISBN 9781845456054 (hbk.)
184545605X (hbk.)
9780857456175 (pbk.)
Author Baer, Hester, author.
Series Film Europa ; v. 9
Subject Motion pictures -- Germany -- History -- 20th century.
Motion pictures -- Social aspects -- Germany.
Motion pictures for women -- Germany.
Motion picture audiences -- Germany.
Women in motion pictures.
LOCATION SHELVED AT LOAN TYPE STATUS
 BJL 6th Floor  PN 1993.5 G3 B1  8 WEEK LOAN  AVAILABLE

Subject Motion pictures -- Germany -- History -- 20th century.
Motion pictures -- Social aspects -- Germany.
Motion pictures for women -- Germany.
Motion picture audiences -- Germany.
Women in motion pictures.
Descript xiii, 304 p. : ill. ; 24 cm.
Contents Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture.
ISBN 9781845456054 (hbk.)
184545605X (hbk.)
9780857456175 (pbk.)
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