LEADER 00000cam 2200577Ia 4500
001 ocn900344589
003 OCoLC
005 20200612064234.9
006 m o d
007 cr cnu---unuuu
008 150117s2015 kyu o 000 0 eng d
020 9780813158990|q(electronic bk.)
020 0813158990|q(electronic bk.)
035 (OCoLC)900344589
040 EBLCP|beng|epn|cEBLCP|dN$T|dOCLCQ|dN$T|dOCLCF|dJSTOR
|dOCLCQ|dJBG|dOCLCQ|dIOG|dMERUC|dEZ9|dAGLDB|dIGB|dTXC|dAUW
|dBTN|dMHW|dINTCL|dSNK|dOCLCQ|dG3B|dLVT|dS8I|dS8J|dSTF
|dD6H
049 MAIN
050 4 PN1995 .H213 2015
082 04 791.43/01/50973|223
100 1 Haberski, Raymond J.,|d1968-
245 10 It's only a movie! :|bfilms and critics in American
culture /|cRaymond J. Haberski.
260 Lexington :|bThe University Press of Kentucky,|c©2015.
300 1 online resource (262 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 data file|2rda
505 0 Cover; Half-title; Title; Copyright; Dedication; Contents;
Acknowledgments; Introduction; 1 Amusement or Art?; 2
Menace or Art?; 3 Forging a Mainstream Movie Aesthetic; 4
Dreiser versus Hollywood; 5 Movies into Art; 6 A Certain
Tendency in Film Criticism; 7 Andrew Sarris, Pauline Kael,
and the Duelfor the Soul of Criticism; 8 The First New
York Film Festival and the Heroic Age of Moviegoing; 9 The
Film Generation Goes to School; 10 Whither Criticism?;
Notes; Bibliography; Index.
650 0 Culture in motion pictures.
650 0 Film criticism|zUnited States.
650 0 Motion pictures|xSocial aspects|zUnited States.
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctt130jsbv
921 .
936 JSTOR-E-2019-20
