Intro -- Screening Motherhood in Contemporary World Cinema -- Title Page -- Copyright Notice -- Dedication -- Table of Contents -- Acknowledgements -- Intersectional Interventions in Global Cinema -- I. MOTHERS RESISTING FROM THE MARGINS -- 1. Obachan's Garden -- 2."Every Child Is a Mother's Blessing" -- 3. Discourses of the Maternal in the Cinema of Eastern Europe -- 4.(Re)Producing Globalization -- 5. Don't Slap Yo' Gran'Momma -- 6. Disrupting and Containing Motherhood -- 7. Mother as Failed Communist Muttirepublik in Wolfgang Becker's Good Bye Lenin! -- 8."Mother-Subjects" in Canadian Film
II. POPULAR (MIS)CONCEPTIONS OF MOTHERHOOD -- 9. Fortune Favours the Brave -- 10. Demeter-Kali Rising -- 11. Alien versus Terminator -- III. SCREENING LATIN MAMAS -- 12. Mamá de las Mariposas -- 13. Motherhood and Identity in Contemporary Argentine Cinema -- 14. Maligned Mothers -- IV. EASTERN MOTHERS -- 15. Motherhood and Masculinity in Atiq Rahimi's Syngue Sabour -- 16. Indian Cine-maa -- 17. The "New" Indian Mothers in Popular Bollywood Films -- 18. The Aesthetics of (Dis)Empowered Motherhood in Iranian Cinema (1965-1978) -- About the Contributors
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ISBN
1772580449 (electronic bk.)
9781772580440 (electronic bk.)
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Intro -- Screening Motherhood in Contemporary World Cinema -- Title Page -- Copyright Notice -- Dedication -- Table of Contents -- Acknowledgements -- Intersectional Interventions in Global Cinema -- I. MOTHERS RESISTING FROM THE MARGINS -- 1. Obachan's Garden -- 2."Every Child Is a Mother's Blessing" -- 3. Discourses of the Maternal in the Cinema of Eastern Europe -- 4.(Re)Producing Globalization -- 5. Don't Slap Yo' Gran'Momma -- 6. Disrupting and Containing Motherhood -- 7. Mother as Failed Communist Muttirepublik in Wolfgang Becker's Good Bye Lenin! -- 8."Mother-Subjects" in Canadian Film
II. POPULAR (MIS)CONCEPTIONS OF MOTHERHOOD -- 9. Fortune Favours the Brave -- 10. Demeter-Kali Rising -- 11. Alien versus Terminator -- III. SCREENING LATIN MAMAS -- 12. Mamá de las Mariposas -- 13. Motherhood and Identity in Contemporary Argentine Cinema -- 14. Maligned Mothers -- IV. EASTERN MOTHERS -- 15. Motherhood and Masculinity in Atiq Rahimi's Syngue Sabour -- 16. Indian Cine-maa -- 17. The "New" Indian Mothers in Popular Bollywood Films -- 18. The Aesthetics of (Dis)Empowered Motherhood in Iranian Cinema (1965-1978) -- About the Contributors
Intro -- Screening Motherhood in Contemporary World Cinema -- Title Page -- Copyright Notice -- Dedication -- Table of Contents -- Acknowledgements -- Intersectional Interventions in Global Cinema -- I. MOTHERS RESISTING FROM THE MARGINS -- 1. Obachan's Garden -- 2."Every Child Is a Mother's Blessing" -- 3. Discourses of the Maternal in the Cinema of Eastern Europe -- 4.(Re)Producing Globalization -- 5. Don't Slap Yo' Gran'Momma -- 6. Disrupting and Containing Motherhood -- 7. Mother as Failed Communist Muttirepublik in Wolfgang Becker's Good Bye Lenin! -- 8."Mother-Subjects" in Canadian Film
II. POPULAR (MIS)CONCEPTIONS OF MOTHERHOOD -- 9. Fortune Favours the Brave -- 10. Demeter-Kali Rising -- 11. Alien versus Terminator -- III. SCREENING LATIN MAMAS -- 12. Mamá de las Mariposas -- 13. Motherhood and Identity in Contemporary Argentine Cinema -- 14. Maligned Mothers -- IV. EASTERN MOTHERS -- 15. Motherhood and Masculinity in Atiq Rahimi's Syngue Sabour -- 16. Indian Cine-maa -- 17. The "New" Indian Mothers in Popular Bollywood Films -- 18. The Aesthetics of (Dis)Empowered Motherhood in Iranian Cinema (1965-1978) -- About the Contributors
