LEADER 00000cam 22006138i 4500
001 on1010701002
003 OCoLC
005 20201211095806.6
006 m o d
007 cr |||||||||||
008 171106s2018 nyu obq 001 0 eng
020 9780231851244|q(electronic bk.)
020 0231851243|q(electronic bk.)
020 |z9780231179201|q(cloth ;|qalk. paper)
020 |z0231179200
020 |z9780231179218
020 |z0231179219
035 (OCoLC)1010701002
040 DLC|beng|erda|cDLC|dOCLCQ|dYDX|dJSTOR|dOCLCF|dUBY|dOCLCO
|dAU@|dOCL|dGZM|dOCL|dUHL
049 MAIN
050 10 PN1998.3.L544
082 00 791.4302/33092|223
100 1 Stone, Rob,|d1965-|eauthor.
245 14 The cinema of Richard Linklater :|bwalk, don't run /|cRob
Stone.
250 Second edition.
263 1802
264 1 New York :|bColumbia University Press,|c2018.
300 1 online resource.
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
490 1 Directors' cuts
505 0 Walk, don't run: the cinema of richard linklater --
Locating linklater -- Crafting contradictions -- The form
and content of slack -- Walking and talking -- Dreamstate
usa: the metaphysics of animation -- Winging it -- The
spaces in between.
600 10 Linklater, Richard,|d1960-|xCriticism and interpretation.
776 08 |iPrint version:|aStone, Rob, 1965-|tCinema of Richard
Linklater.|bSecond edition.|dNew York : Columbia
University Press, 2018|z9780231179201|w(DLC) 2017051003
830 0 Directors' cuts.
856 40 |uhttps://www.jstor.org/stable/10.7312/ston17920
921 .
936 JSTOR-D-2020/21
