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Author Cui, Shuqin.
Title Women through the lens : gender and nation in a century of Chinese cinema / Shuqin Cui.
Publication Info Honolulu : University of Hawaiʻi Press, ©2003.


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Descript 1 online resource (xxvi, 304 pages) : illustrations
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Descript text file PDF rda
Contents Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon.
Note Use copy Restrictions unspecified star MiAaHDL
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
English.
ISBN 0585479143 (electronic bk.)
9780585479149 (electronic bk.)
9780824865634
0824865634
0824825322 (acid-free paper)
9780824832964
9780824825324 (acid-free paper)
0824832965
Standard # 10.21313/9780824865634 doi
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Author Cui, Shuqin.
Subject Motion pictures -- China -- History.
Women in motion pictures.
Sex role in motion pictures.
Descript 1 online resource (xxvi, 304 pages) : illustrations
Content text txt
Media computer c
Carrier online resource cr
Descript text file PDF rda
Contents Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon.
Note Use copy Restrictions unspecified star MiAaHDL
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
English.
ISBN 0585479143 (electronic bk.)
9780585479149 (electronic bk.)
9780824865634
0824865634
0824825322 (acid-free paper)
9780824832964
9780824825324 (acid-free paper)
0824832965
Standard # 10.21313/9780824865634 doi
Author Cui, Shuqin.
Subject Motion pictures -- China -- History.
Women in motion pictures.
Sex role in motion pictures.

Subject Motion pictures -- China -- History.
Women in motion pictures.
Sex role in motion pictures.
Descript 1 online resource (xxvi, 304 pages) : illustrations
Content text txt
Media computer c
Carrier online resource cr
Descript text file PDF rda
Contents Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon.
Note Use copy Restrictions unspecified star MiAaHDL
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
English.
ISBN 0585479143 (electronic bk.)
9780585479149 (electronic bk.)
9780824865634
0824865634
0824825322 (acid-free paper)
9780824832964
9780824825324 (acid-free paper)
0824832965
Standard # 10.21313/9780824865634 doi
Persistent link to this item
Click link and copy URL from browser navigation toolbar

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