LEADER 00000cam 2200745Ki 4500 001 on1015888006 003 OCoLC 005 20210122115849.4 006 m o d 007 cr cnu---unuuu 008 171219s2017 flu ob 001 0 eng d 020 9780813052991|q(electronic bk.) 020 0813052998|q(electronic bk.) 020 |z9780813054360 020 |z0813054362 035 (OCoLC)1015888006|z(OCoLC)1019607908|z(OCoLC)1037609425 040 N$T|beng|erda|epn|cN$T|dYDX|dOCL|dEBLCP|dUAB|dUKOUP|dOCLCQ |dAGLDB|dG3B|dIGB|dOCLCQ|dOCL|dJSTOR|dMQY 049 MAIN 050 4 PS430|b.T83 2017eb 082 04 817.009/896073|223 100 1 Tucker, Terrence T.,|eauthor. 245 10 Furiously funny :|bcomic rage in late 20th century African -American literature /|cTerrence T. Tucker. 264 1 Gainesville :|bUniversity Press of Florida,|c2017. 264 4 |c©2017 300 1 online resource 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 505 0 Introduction: A joke to the eye -- (Re)viewing Ellison's Invisible Man: comedy, rage, and cultural tradition in an African-American classic -- Dick Gregory, Moms Mabley, and Redd Foxx: African-American humor, stand-up comedy, and comic rage in mainstream America -- From absence to flight : comic rage in the black arts/black power movements, 1966 -1976 -- Fury in the "promised land": comic rage in George C. Wolfe's The Colored Museum and Paul Beatty's The White Boy Shuffle -- Hollywood shuffle and bamboozled: comic rage, black film, and popular culture at the end of the century -- Direct from a never scared bicentennial nigger: comic rage in Richard Pryor, Whoopi Goldberg, and Chris Rock -- Conclusion: on being pissed off to the highest degree of pissivity. 650 0 African American wit and humor|xHistory and criticism. 650 0 Satire, American|xHistory and criticism. 650 0 African American comedians|vBiography. 650 0 Stand-up comedy|zUnited States|xHistory|y20th century. 776 08 |iPrint version:|aTucker, Terrence T.|tFuriously funny. |dGainesville : University Press of Florida, 2017 |z9780813054360|w(DLC) 2017016674|w(OCoLC)984973611 856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctvx1htpj 921 . 936 JSTOR-D-2020/21