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008    171219s2017    flu     ob    001 0 eng d 
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020    0813052998|q(electronic bk.) 
020    |z9780813054360 
020    |z0813054362 
035    (OCoLC)1015888006|z(OCoLC)1019607908|z(OCoLC)1037609425 
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       |dAGLDB|dG3B|dIGB|dOCLCQ|dOCL|dJSTOR|dMQY 
049    MAIN 
050  4 PS430|b.T83 2017eb 
082 04 817.009/896073|223 
100 1  Tucker, Terrence T.,|eauthor. 
245 10 Furiously funny :|bcomic rage in late 20th century African
       -American literature /|cTerrence T. Tucker. 
264  1 Gainesville :|bUniversity Press of Florida,|c2017. 
264  4 |c©2017 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  Introduction: A joke to the eye -- (Re)viewing Ellison's 
       Invisible Man: comedy, rage, and cultural tradition in an 
       African-American classic -- Dick Gregory, Moms Mabley, and
       Redd Foxx: African-American humor, stand-up comedy, and 
       comic rage in mainstream America -- From absence to flight
       : comic rage in the black arts/black power movements, 1966
       -1976 -- Fury in the "promised land": comic rage in George
       C. Wolfe's The Colored Museum and Paul Beatty's The White 
       Boy Shuffle -- Hollywood shuffle and bamboozled: comic 
       rage, black film, and popular culture at the end of the 
       century -- Direct from a never scared bicentennial nigger:
       comic rage in Richard Pryor, Whoopi Goldberg, and Chris 
       Rock -- Conclusion: on being pissed off to the highest 
       degree of pissivity. 
650  0 African American wit and humor|xHistory and criticism. 
650  0 Satire, American|xHistory and criticism. 
650  0 African American comedians|vBiography. 
650  0 Stand-up comedy|zUnited States|xHistory|y20th century. 
776 08 |iPrint version:|aTucker, Terrence T.|tFuriously funny.
       |dGainesville : University Press of Florida, 2017
       |z9780813054360|w(DLC)  2017016674|w(OCoLC)984973611 
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctvx1htpj 
921    . 
936    JSTOR-D-2020/21