LEADER 00000cam 2200721 i 4500
001 on1198555340
003 OCoLC
005 20210528104028.8
006 m o d
007 cr |||||||nn|n
008 200403t20202020ncua obk 001 0 eng d
020 1469660385
020 9781469660387|q(electronic bk.)
020 9781469660370|q(electronic bk.)
020 1469660377|q(electronic bk.)
020 |z9781469660356
020 |z9781469660363
035 (OCoLC)1198555340
040 P@U|beng|erda|cP@U|dYDX|dOCLCO|dN$T|dTEFOD|dJSTOR|dOCLCF
|dUKAHL|dK6U|dJHP|dEBLCP
049 MAIN
050 04 ML3521|b.G95 2020
082 04 781.64309|223
100 1 Gussow, Adam,|eauthor.
245 10 Whose blues? :|bfacing up to race and the future of the
music /|cAdam Gussow.
264 1 Chapel Hill :|bThe University of North Carolina Press,
|c[2020]
264 4 |c©2020
300 1 online resource (320 pages) :|billustrations
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 0 Starting the conversation -- Blues conditions -- Blues
feelings and "real bluesmen" -- Blues expressiveness and
the blues ethos -- W.C. Handy and the "birth" of the blues
-- Langston Hughes and the scandal of early blues poetry -
- Zora Neale Hurston in the Florida jooks -- Ralph Ellison,
Richard Wright, and the Southern blues violences -- The
blues revival and the Black arts movement -- Giving it all
away : blues harmonica education in the digital age --
Turnaround.
650 0 Blues (Music)|xHistory and criticism.
650 0 Music and race|zUnited States.
650 0 African Americans|zUnited States|xMusic|xHistory and
criticism.
710 2 Project Muse.|edistributor.
830 0 Book collections on Project MUSE.
856 40 |uhttps://hull.idm.oclc.org/login?url=https://
www.jstor.org/stable/10.5149/9781469660387_gussow
921 .
936 JSTOR-D-2020/21
