LEADER 00000cam  2200649Ii 4500 
001    on1109390023 
003    OCoLC 
005    20200522061321.2 
006    m     o  d         
007    cr cnu---unuuu 
008    190718s2019    njua    ob    001 0 eng d 
020    9780691189840|q(electronic book) 
020    0691189846|q(electronic book) 
020    |z9780691158914 
035    (OCoLC)1109390023 
040    N$T|beng|erda|epn|cN$T|dN$T|dEBLCP|dP@U|dYDXIT|dOCLCF
       |dJSTOR|dUKAHL|dOCLCQ|dDEGRU|dK6U|dOCLCQ 
049    MAIN 
050  4 NX180.S6|bL46 2019 
082 04 700.1/030973|223 
100 1  Lena, Jennifer C.,|eauthor. 
245 10 Entitled :|bdiscriminating tastes and the expansion of the
       arts /|cJennifer C. Lena. 
246 30 Discriminating tastes and the expansion of the arts 
264  1 Princeton, New Jersey :|bPrinceton University Press,
       |c[2019] 
300    1 online resource (xiv, 231 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  Cover; Title Page; Copyright Page; Contents; Preface; 
       Acknowledgments; 1 The Invention of American Art, 1825-
       1945; Museums and Symphony Orchestras; Rationalizing 
       Governance; The Second Wave: Ballet, Modern Dance, Theater,
       and Opera; Early Life Exposure; What Is an "American 
       Art"?; Heading into the Great Depression; 2 The WPA and 
       the Opening of the American Arts; The WPA's Impact; A 
       Cultural Democracy; The Long Arm of WPA Influence: Artists,
       Organizations, Administrators; Conclusion; 3 The Museum of
       Primitive Art, 1940-1982; Nelson Rockefeller, Art 
       Collector 
505 8  Primitive and Modern: Frontiers of Legitimacy in the 
       MidcenturyInventing the Field of Primitive Art; 
       Influencing the Postcolonial Art World; Move to the Met; 
       Primitive Art and Artistic Legitimation; Conclusion; 4 
       Opportunity Structures; Economic, Political, and 
       Technological Change; Changes to Regulations; Changes 
       within Arts Nonprofits; Changes to Funding; Conclusion; 5 
       Expansion: 1900-2000; Building a Model of Aesthetic 
       Legitimation; Conclusion; 6 Cultural Appropriation; 
       Cosmopolitanism; Slumming; Monet's Kimono; Chinatown 
       Plaid; Conclusion; 7 Conclusion 
505 8  Twentieth-Century American Artistic Legitimation, in 
       BriefTrajectories; Aesthetic Continuities across 
       Legitimizing Fields; Alliances with Legitimate Fields; 
       People Power; Appropriation from Outside; Never Art: 
       Kitsch; Partial Legitimation: Designer Toys; Appendix: 
       Methodological Appendix; Notes; Works Cited; Index 
650  0 Arts and society|zUnited States. 
650  0 Art and popular culture|zUnited States. 
650  0 Art, American. 
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctvdf0j8b 
921    . 
936    JSTOR-D-2019/20