LEADER 00000cam 2200757 i 4500 001 on1020606717 003 OCoLC 005 20190913044012.6 006 m o d 007 cr cnu---unuuu 008 180424s2018 miu ob s001 0 eng 020 9780472123636|qelectronic book 020 0472123637|qelectronic book 020 |z9780472130740|qhardcover|qalkaline paper 020 |z0472037099 020 |z9780472037094 020 |z0472130749 035 (OCoLC)1020606717|z(OCoLC)1020864780|z(OCoLC)1031940447 |z(OCoLC)1032276227|z(OCoLC)1032311447|z(OCoLC)1032497050 |z(OCoLC)1032649676|z(OCoLC)1032719906|z(OCoLC)1033526737 040 DLC|beng|erda|epn|cDLC|dN$T|dEBLCP|dJSTOR|dP@U|dOCLCF|dYDX |dOCLCO|dNRC|dUBY|dYDX|dOCLCQ|dNJR|dYDX|dOCLCO|dWAU|dMERER |dWTU|dOCL|dOCLCQ|dTKN 049 MAIN 050 14 NX180.S6|bH3185 2018 082 00 700.1/030973|223 100 1 Harding, James Martin,|d1958- 245 10 Performance, transparency, and the cultures of surveillance /|cJames M. Harding. 264 1 Ann Arbor :|bUniversity of Michigan Press,|c[2018] 300 1 online resource (ix, 311 pages) 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 505 0 Intro; Contents; Introduction. All Eyes to the Street: Surveillance, Information Technologies, and the Space of Brecht's "Street Scene"; God's Eyes: Chapter 1. Of Sheep, Shepherds, and Oversight: Defrocking the Cultures of Surveillance; Private Eyes: Chapter 2. Surveillance Operatives: Activists, Undercover Agents, and the "New Theater"; Blind Eyes: Chapter 3. This Private Island: The Modern Ban-opticon from Camp X-Ray to Private Prisons; Electronic Eyes: Chapter 4. Outperforming Activism: Surveillance Technologies beyond the Surveillance Camera Players 505 8 Downcast Eyes: Chapter 5. Data Doubles, Pepper's Ghost, and Zombie Categories: The Specters of Performance in the Bit Parts of Surveillance; An Eye for an Eye: Chapter 6. Envisioning Performance Postdemocracy: Creative Activism, (a Little Bit of) Damage, and Surveillance's Inevitable Products; Notes; Index 506 1 Unlimited number of concurrent users.|5UkHlHU 650 0 Arts and society|zUnited States|xHistory|y21st century. 650 0 Electronic surveillance|xSocial aspects|zUnited States. 650 0 Democracy and the arts|zUnited States. 650 0 Technology and the arts. 856 40 |uhttps://www.jstor.org/stable/10.3998/mpub.9780711 921 . 936 JSTOR-D-2019/20