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049 MAIN
050 4 PN1995.9.T43|bB46 2013
082 04 791.43/656|223
100 1 Benson-Allott, Caetlin Anne.
245 10 Killer tapes and shattered screens :|bvideo spectatorship
from VHS to file sharing /|cCaetlin Benson-Allott.
264 1 Berkeley :|bUniversity of California Press,|c2013.
300 1 online resource (xiii, 297 pages) :|billustrations
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 0 Introduction: opening up to home video -- Distributing The
dead: George A. Romero and the evolution of the video
spectator -- Addressing the "new flesh": videodrome's
format war -- Reprotechnophobia: putting an end to analog
abjection with the ring -- Going, going, grindhouse:
simulacral cinematicity and post-cinematic spectatorship -
- Paranormal spectatorship: faux footage horror and the
P2P spectator -- Conclusion: power play.
506 1 Unlimited number of concurrent users.|5UkHlHU
650 0 Technology in motion pictures.
650 0 Cinematography|xTechnological innovations.
650 0 Horror films|xHistory and criticism.
650 0 Motion picture audiences.
650 0 Video recordings|xProduction and direction|xData
processing.
650 0 Digital video|xProduction and direction|xData processing.
650 0 Video recordings industry.
856 40 |uhttps://www.jstor.org/stable/10.1525/j.ctt2jcbt9|zGo to
eBook
936 JSTOR-D-2016/17
